In 1984 Alex Cox burst onto the scene with Repo Man, a hilarious critique of America's (then unique?) system of credit-capitalism, embodied in the industry of repossessing past-due cars. In a world where it is now possible to not only buy a hamburger today and pay for it next month, but to do so through multiple layers of corporate exploitation that will deliver it right to your door, Repo Man has not lost any of its punch. And the soundtrack is still dang good, too.