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This week we start the first Martin Scorcese's World Cinema Project boxset, a growing sub-collection - currently at 5 volumes - containing films from regions under-represented from the broader Criterion Collection. Or unrepresented at all elsewise. Volume 1, for instance, contains our first two Criterion films made in Africa by African directors.
Our first film is one of them comes from Senegal, Touki bouki (1973) directed by Djibril Diop Mambéty. If you must find analogues it's sort of Easy Rider via Jean Cocteau, but the film is one of the most unique we've experienced.
By Lost in Criterion2.9
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This week we start the first Martin Scorcese's World Cinema Project boxset, a growing sub-collection - currently at 5 volumes - containing films from regions under-represented from the broader Criterion Collection. Or unrepresented at all elsewise. Volume 1, for instance, contains our first two Criterion films made in Africa by African directors.
Our first film is one of them comes from Senegal, Touki bouki (1973) directed by Djibril Diop Mambéty. If you must find analogues it's sort of Easy Rider via Jean Cocteau, but the film is one of the most unique we've experienced.

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