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Hello from Capitalist Playground of Death!
This week, we talk 100% “Squid Game.”
Warning: Don’t listen until you’ve watched it all.
Does the show constitute anti-capitalist critique? Why does the ending suck? Did Park Chan-wook make the West permanently love K-horror? Will Asian art soon displace Asian American art? What’s with the weird ‘noble savage’ thing going on in the show?
Plus: the dialogue genius in “The Wire”’s writers’ room, fantasy basketball, Gary Shteyngart (i.e., three Asian Americans trashing neoliberalism), and solidarity with subtitle translators.
Thanks for supporting the pod. Please stay in touch via Patreon and Substack, email ([email protected]) and Twitter!
By Time To Say Goodbye4.5
410410 ratings
Hello from Capitalist Playground of Death!
This week, we talk 100% “Squid Game.”
Warning: Don’t listen until you’ve watched it all.
Does the show constitute anti-capitalist critique? Why does the ending suck? Did Park Chan-wook make the West permanently love K-horror? Will Asian art soon displace Asian American art? What’s with the weird ‘noble savage’ thing going on in the show?
Plus: the dialogue genius in “The Wire”’s writers’ room, fantasy basketball, Gary Shteyngart (i.e., three Asian Americans trashing neoliberalism), and solidarity with subtitle translators.
Thanks for supporting the pod. Please stay in touch via Patreon and Substack, email ([email protected]) and Twitter!

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