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Tangents abound in Part 5 of the Genre breakdown for 2016. Why aren’t more American audiences turning out to see great foreign cinema? What would it be like if we had an alternate Crouching Tiger, Hidden Dragon reality?
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Tangents abound in Part 5 of the Genre breakdown for 2016. Why aren’t more American audiences turning out to see great foreign cinema? What would it be like if we had an alternate Crouching Tiger, Hidden Dragon reality?