Stephanie Foo reads an excerpt from "What My Bones Know," backed by an original Storybound remix with sound design and arrangement by Jude Brewer.
Stephanie Foo is a former producer for This American Life and Snap Judgment, and has worked on podcasts for The Cut, Nancy, Reply All and 99% Invisible. She currently produces audio pieces and has had her work featured in The New York Times and Vox.
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Stephanie Foo: "What My Bones Know"

You're dying, but you don't have to cooperate so enthusiastically with the process.

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A young man finds a second home, and discovers a higher calling.

Transcripts can be found at cooperatewiththeprocess.com

Street interviews by Christopher Olin.
Music by John Fio.
Artwork by Allison Conway.

Sources:
The War Came To Us: Life and Death in Ukraine, by Christopher Miller
The Trilateral Process: The United States, Ukraine, Russia, and Nuclear Weapons
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4: pishite pravdu

"I think there's a reason why we get into careers that we get into. And I'm not just like making a generalization, but I'm sure that there's a lot of fighters out there that had a really hard childhood."
That’s Kimberly Shannon Murphy, she’s Hollywood’s go-to stunt double for premier silver screen actresses. If you’ve seen a movie or a TV show made in the last 20 years, chances are you’ve seen Kimberly without even knowing it.
This story contains child abuse. But that is not what it's about. This is a story of survival, hope and healing.

If you are experiencing sexual assault, you do not have to suffer alone. You can talk to someone for confidential 24/7 support by calling 1-800-656-4673.
And for the 24/7 child abuse hotline, call 1-800-4-A-child, that’s 1-800-422-4453.
If you know someone who is experiencing abuse, or if you suspect abuse, please don’t wait.

Music created for this show by John Fio.
Show artwork by Allison Conway.
Transcripts available at cooperatewiththeprocess.com.
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3: healing

BANKWAVE is a narrative driven simulator developed during Ludum Dare, an international game jam competition, by indie game company Frabjous Studios. This episode of The Process explores collaboration through the rise of game jams, BANKWAVE's development, the development of the game's engine created by Hajime Hoshi, and finally the role of game testers.

Learn more about Alex Mills and his team Frabjous Studios here.

The song at the beginning and end of this episode was created for the show by John Fio.
Show artwork by Allison Conway.
Transcripts available at cooperatewiththeprocess.com

Sources:
Game Engines as an art form, Hajime Hoshi
Why Ludum Dare is so important to indie developers, Vice
Video games can never be art, Roger Ebert
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2: BANKWAVE

"Before you have a kid. I feel like you're sort of going up a roller coaster and you've never been on a roller coaster before and you just like you feel that you're inching towards the top and you just don't know what to expect. And that's kind of like writing a book. I mean, I feel like you shouldn't know what's coming when you enter in a book." - Andrew Lipstein, author of THE VEGAN.

Show artwork by Allison Conway.

Transcripts available at cooperatewiththeprocess.com.
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1: Taking away from others

Learn more at cooperatewiththeprocess.com
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Stephanie Foo: "What My Bones Know"

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