Host Meg Wolitzercelebrates Jane Austen’s 250th with works by, and inspired by, the enduring romance novelist.  Ann Harada performs an early Austen piece, “Edgar and Emma;” Sophie Carmen-Jones reads a letter from Austen to a mentor, James Stanier Clarke.  Then things get playful in the T.C. Boyle parody “I Dated Jane Austen,” performed by Wyatt Cenac.  And Hugh Dancy reads from an Austen classic, “Persuasion.”

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In a wide-ranging and fascinating discussion, the two authors sit down to discuss journalism, the #MeToo movement, the Supreme Court, and what it takes to tell a good story. Jodi Kantor is a best-selling author and prize-winning investigative reporter whose work reveals hidden truths about power, law, gender, technology and culture. She is the bestselling co-author of She Said, the book that details the story of decades of sexual abuse allegations against Harvey Weinstein. She specializes in stories on power, gender, and technology, including workplace investigations into Amazon and Starbucks, and recent coverage of the Supreme Court. 

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Stories of cheating, cheaters, and the cheated.

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Prologue: Ira talks with Jessica Pressler about a phenomenon she noticed in the wedding notices in The New York Times. Couples were cheerfully telling—as part of their "meet cute" stories—how their relationships began with one of them cheating on a spouse or long-time partner. (4 minutes)Act One: From England, Ruby Wright has a story of an affair where—even years after it ended—it wasn't much discussed. (14 minutes)Act Two: Ira reviews some infidelity stats from his mother's book on the subject, Not Just Friends. And author James Braly tells a story of temptation live onstage at The Moth. (15 minutes)Act Three: Dani Shapiro on the confusing mess things can be during an affair. The story is from her memoir, Slow Motion. (16 minutes)Act Four: Etgar Keret describes the moment in the immediate aftermath of an affair. Actor Matt Malloy reads. (4 minutes)

Transcripts are available at thisamericanlife.org

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Host Meg Wolitzer presents two works with unusual family dynamics. In Zadie Smith’s “Grand Union,” the mother-daughter bond transcends death and brings with it a whole family history. The reader is Kaneza Schaal. And Richard Bausch’s “What Feels Like the World,” read by James Naughton, explores the bond between a grandparent and a grandchild.

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At a time when the U.S. government is trying to make American history tidier, we try to learn from the mess. Including the untold, messy story of Paul and Essie Robeson.

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Prologue: Guest Host Emanuele Berry talks to Nichole Hill about the Black movie characters Nichole was curious about as a child. (7 minutes)Act One: A giant of the Harlem Renaissance, Paul Robeson was the most famous American of his day. Until he wasn’t. Nichole Hill tells the messy, complicated story of Paul and his wife, Essie Robeson. (38 minutes)Act Two: In 1865, a formerly enslaved man named Jourdan Anderson received a letter from his former enslaver, asking Jourdan to return to the plantation and work. Actor Laurence Fishburne reads Jourdan’s response. 

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Host Meg Wolitzer presents three works about scaling the outsized real world down to manageable proportions.  A couple brings the Papal seat home in Ben Loory’s “The Vatican,” read by Santino Fontana; In “I Love Betty,” by Kaitlyn Greenidge, communication problems invite interesting solutions, in a story read by Nathan Hinton. And in Shirley Jackson’s “The Beautiful Stranger” a wife and mother wonders if she’s in the right life, but tries to fit into it.It’s read by Maggie Siff. 

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