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Studying music poses a conundrum: real musicians don’t play consistently, while machines designed to play an instrument in exactly the same way every time may omit the effects of other factors on the music. In this episode, we talk to Sam Bellows about his research into modeling how the musician’s body affects the diffraction and absorption of clarinet music in directivity measurements.
Associated paper: Samuel David Bellows and Timothy Ward Leishman. “Modeling musician diffraction and absorption for artificially excited clarinet directivity measurements.” Proc. Mtgs. Acoust. 46, 035002 (2022); https://doi.org/10.1121/2.0001586
Find out how to enter the Student Paper Competition for the latest meeting.
Read more from Proceedings of Meetings on Acoustics (POMA).
Learn more about Acoustical Society of America Publications.
Music Credit: Min 2019 by minwbu from Pixabay. https://pixabay.com/?utm_source=link-attribution&utm_medium=referral&utm_campaign=music&utm_content=1022
By ASA Publications' Office4.1
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Studying music poses a conundrum: real musicians don’t play consistently, while machines designed to play an instrument in exactly the same way every time may omit the effects of other factors on the music. In this episode, we talk to Sam Bellows about his research into modeling how the musician’s body affects the diffraction and absorption of clarinet music in directivity measurements.
Associated paper: Samuel David Bellows and Timothy Ward Leishman. “Modeling musician diffraction and absorption for artificially excited clarinet directivity measurements.” Proc. Mtgs. Acoust. 46, 035002 (2022); https://doi.org/10.1121/2.0001586
Find out how to enter the Student Paper Competition for the latest meeting.
Read more from Proceedings of Meetings on Acoustics (POMA).
Learn more about Acoustical Society of America Publications.
Music Credit: Min 2019 by minwbu from Pixabay. https://pixabay.com/?utm_source=link-attribution&utm_medium=referral&utm_campaign=music&utm_content=1022

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