April 11, 2017

Moderated and organized by Hadar Ahuvia and Ali Rosa-Salas

Citation and adaptation have been fertile and even groundbreaking creative processes. Cultural appropriations have also masked power dynamics and violent processes of dispossession. How are performance makers navigating citational and appropriative processes with intention and within a range of proximities and intimacies with their sources? How do these artistic practices contend with and complicate colonial and extractive procedures?

With Yoshiko Chuma, Malik Gaines & Alexandro Segade, Will Rawls, Rosy Simas, and Reggie Wilson