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The hosts take a look at two infamous examples of films altered and changed by studio intervention. One of the earliest and most egregious alterations happened to Erich von Stroheim's 1924 Greed. Does the remaining footage yield as close to a masterpiece as its fabled original 9-hour cut?
Despite the prestige of Citizen Kane, Orson Welles' The Magnificent Ambersons was not saved from the butchering hands of meddlers. Does the end product carry the gut punches the original was intended to have?