In this episode, we discuss Keanu Reeves’ other worldliness in Constantine (2005) and The Day The Earth Stood Still (2008). Both of these stories are adaptations of earlier content, and, in choosing these films, Keanu repeats his status as reluctant savior, continues to problematize the concept of free will, and embraces the jadedness that he has been “dress rehearsing” for decades. We talk about the philosophy of Keanu Reeves and the tricky business of auteur theory in these critically panned films.