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Sweet Spot
On Monday of this week I posted these questions in my Facebook Group:
How do you decide the right key for a song? Are all your songs in the same key? Does it depend on the mood of the song?
The reason I reached out to my group for help on this is because I am writing songs in preparation for recording and releasing them next year. This year I released five singles and really didn’t give much thought to the keys they were in, they just kind of landed where they landed. The whole reason I started releasing my own music again after a 10-year break was to find my voice, which seemed to be disappearing into function singer oblivion. I believe an integral component for rediscovering my voice is through understanding where my sweet spot is.
The members of my FB group are all brilliant in their own rights, and many of them are singers and songwriters, so I felt I would get some answers that I could apply to my process. Wow, was I right.
Keith Simon, singer extraordinaire said, “For me I think it’s about being able to utilize your vocal range to its maximum potential ... every song is different and unique ... and you wanna be able to comfortably sing/perform a song that brings out the best parts of your range.”
My very first vocal coach and piano teacher, Pat Tyson, had this to say: “I tend to write in keys that are comfortable for my voice, but I also write in keys that are easy. Transposing is a gift that I'm grateful for!”
And then, Amba Tremaine, Singer, Songwriter, Vocal Coach, Choir Leader and Teacher took me to school. She dropped a word on me that I had never heard before, Tessitura. Thankfully, she broke it down for me:
Tessitura is the range within which most notes of a vocal part fall. An area of your voice that is comfortable and most commonly used.
Amba goes on to say, “I have discovered that being able to sing high or low is one thing, but being able to do it well and for it to sound good is another thing entirely. Reaching those high whistle tones may seem impressive but 9 out of 10 times it sounds bloody awful. Every now and then we’ll need to pull out some impressive height for certain songs but it really does make a huge difference when you know where your voice sounds the best. This is where Tessitura comes in.”
Amba’s process is to go to the piano and start talking about everything and anything. She then finds the note (more)
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By Rainbow Glo (aka Gloria Miller)On Monday of this week I posted these questions in my Facebook Group:
How do you decide the right key for a song? Are all your songs in the same key? Does it depend on the mood of the song?
The reason I reached out to my group for help on this is because I am writing songs in preparation for recording and releasing them next year. This year I released five singles and really didn’t give much thought to the keys they were in, they just kind of landed where they landed. The whole reason I started releasing my own music again after a 10-year break was to find my voice, which seemed to be disappearing into function singer oblivion. I believe an integral component for rediscovering my voice is through understanding where my sweet spot is.
The members of my FB group are all brilliant in their own rights, and many of them are singers and songwriters, so I felt I would get some answers that I could apply to my process. Wow, was I right.
Keith Simon, singer extraordinaire said, “For me I think it’s about being able to utilize your vocal range to its maximum potential ... every song is different and unique ... and you wanna be able to comfortably sing/perform a song that brings out the best parts of your range.”
My very first vocal coach and piano teacher, Pat Tyson, had this to say: “I tend to write in keys that are comfortable for my voice, but I also write in keys that are easy. Transposing is a gift that I'm grateful for!”
And then, Amba Tremaine, Singer, Songwriter, Vocal Coach, Choir Leader and Teacher took me to school. She dropped a word on me that I had never heard before, Tessitura. Thankfully, she broke it down for me:
Tessitura is the range within which most notes of a vocal part fall. An area of your voice that is comfortable and most commonly used.
Amba goes on to say, “I have discovered that being able to sing high or low is one thing, but being able to do it well and for it to sound good is another thing entirely. Reaching those high whistle tones may seem impressive but 9 out of 10 times it sounds bloody awful. Every now and then we’ll need to pull out some impressive height for certain songs but it really does make a huge difference when you know where your voice sounds the best. This is where Tessitura comes in.”
Amba’s process is to go to the piano and start talking about everything and anything. She then finds the note (more)