This week, Alida and Kathryn go deeper into the subject of writing time, specifically how to handle chronology in narrative. We have three very short examples that illustrate different methods of structuring your narrative to move the story and reader through time.  Francisco holds us in the present, with her as she writes, while drawing us back into her remembrances. Sukruangrung uses a scene break to create a clear delineation between in-scene writing and exposition. McCloy keeps us in the story with her younger self, using very limited narrative interjections to add a little bit of hindsight to her piece.  All of the writings are excellent and each method works equally well. I screen share the texts, so if you like to read along, watch on the website. Show notes, links, & more at www.StoryWorksPodcast.com.  

SWRT 244 | Weaving Time into Your Narrative

Each week, co-hosts, Alida Winternheimer, author and writing coach at Word Essential, Kathryn Arnold, emerging writer, & Robert Scanlon, author of the Blood Empire series, have conversations about the craft of writing fiction. They bring diverse experiences and talents to the table from both the traditional and indie worlds.

Our goal is for each episode to be a fun, lively discussion of some aspect of story craft that enlightens, as well as entertains.

Sometimes we have special guests. All episodes are available in video as well. Visit www.StoryWorksPodcast.com for videos, show notes, and more.

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This week on the Story Works Round Table, Alida and Kathryn talk dialogue. We've noticed what may be some poor advice and some frightening trends in dialogue floating around out there. Time to bust some myths and pop some speech balloons!   How should dialogue be formatted and how does it differ from interiority and thoughts? When and why does it make sense to honor trusted conventions? How would "experimentation" work in the voice of AI?  We draw on the past two Writers Book Club short stories for examples of dialogue, interiority, and narrative point of view. There is a lot of craft to unpack in this week's episode, a bit of silliness, and a writing prompt, too! "Dialogue is an art form all in and of itself. So be aware of what you're putting on the page." "Dialogue should reveal something to the reader." Are you ready to get more out of your writing, grow your writing skills, and get that novel done faster? Do you want community, feedback, and mentoring? Check out group coaching for novelists. New Summer Session begins May 29. Get details & schedule your free discovery call today at www.wordessential.com/fictioncoaching Get Alida's musings on life, writing, and the writing life in A Room Full of Books & Pencils. booksandpencils.substack.com Show notes, links, & more at www.StoryWorksPodcast.com.          

SWRT 297 | Dialogue

This week on the Story Works Round Table, Alida and Kathryn discuss Chekhov's story, "The Woman with the Little Dog." You can get the link to read it in the show notes.  "Everything that he found important, interesting, necessary, in which he was sincere and did not deceive himself, which constituted the core of his life, occurred in secret from others." -Chekhov Unpack the layers of Anton Chekhov's poignant short story, "The Lady with the Little Dog," in this thought-provoking episode of Story Works Round Table. Alida and Kathryn dissect the narrative's exploration of love, regret, and societal imprisonment. As they navigate through the characters internal struggles and the story's critique of marital conventions, listeners are invited to consider depth of character emotion, subtext, and presenting social commentary through story. Are you ready to get more out of your writing, to grow your writing skills, and get that novel done faster? Do you want community, feedback, and mentoring? Check out group coaching for novelists. New Summer Session begins at the end of May. Get details & schedule your free discovery call today at www.wordessential.com/fictioncoaching Get Alida's reflections on life, writing, and the writing life in A Room Full of Books & Pencils. booksandpencils.substack.com  

SWRT 296 | Writers Book Club: Chekhov

This week on the Story Works Round Table, Alida and Kathryn discuss Gina Berriault's short story, "The Woman in the Rose Colored Dress." At only 2 1/2 pages, it packs in remarkable sentences, the experience of time passing, incredible subtext in minimal dialogue, and a realistic coming of age story when a girl makes a discovery about her father that shifts her understanding of the world. Get the link in our show notes to read the story yourself. Join my new group coaching session for writers. Get your free discovery call today: www.wordessential.com/fictioncoaching Get Alida's musings on life, writing, and the writing life in A Room Full of Books & Pencils. booksandpencils.substack.com Show notes, links, & more at www.StoryWorksPodcast.com.    

SWRT 295 | Writers Book Club: Gina Berriault

This week on the Story Works Round Table, Alida, Carlee, and Robert go deep with the question of what makes a genre a genre? Discover the nuances of crafting stories and targeting the right readership. We dissect the concept of genre as both a craft and marketing tool. It's far more useful to us writers than just a marketing category. Writing to market is often confused with marketing. And what about those of us who strive to be "pure artists," putting categories at the end of the process? Whether you aim to meet or subvert reader expectations, there's more to your genre than meets the eye.  "Genre determines what the story is trying to do." "If you get lost in a story and you're not quite sure where you're taking it, it's often because you're not clear on genre."  This is an episode from our library, formerly published as #184.   Are you ready to get more out of your writing, to grow your writing skills, and get that novel done faster? Do you want community, feedback, and mentoring? Check out group coaching for novelists. New Summer Session begins at the end of May. Get details & schedule your free discovery call today at www.wordessential.com/fictioncoaching   Get Alida's musings on life, writing, and the writing life in A Room Full of Books & Pencils. booksandpencils.substack.com  

SWRT 294 | What Is Genre, Anyway?

This week on the Story Works Round Table, Alida and Kathryn are joined by D. Liebhart.  Revision is more than just fixing typos and filling plot holes; it's about delving deep into the heart of the story and ensuring every word, every character, and every twist aligns with the author's vision. D. discusses the challenges she faced revising her award-winning novel, House on Fire, from seeking perfection to knowing when to let go. We talk about the importance of actionable feedback, the dynamics of writing groups, and the critical decision to step away when the process no longer serves the story. Whether you're a seasoned author or just starting, this episode is packed with wisdom. D.'s experiences remind us that the journey of revision is unique to every writer. It's a process that requires patience, honesty, and sometimes the courage to start anew. "Revision is how you make something worth reading." "You're the final arbiter of what goes in that book and what's meaningful to say." Get Alida's musings on life, writing, and the writing life in A Room Full of Books & Pencils. booksandpencils.substack.com Are you ready to get more out of your writing, to grow your writing skills, and get that novel done faster? Do you want community, feedback, and mentoring? Check out group coaching for novelists. New sessions begin in 2024. Schedule your free discovery call today at www.wordessential.com/fictioncoaching    #WritingTips #AuthorLife #Revision  

SWRT 244 | Weaving Time into Your Narrative

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