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What’s in a name? Sylvie and (Isa)dora tell you. Sylvie watches “Sylvie”, a 1973 German TV film about a doomed romance between a cab-driver-cum-sailor and a model, and Dora watches “Isadora, The Biggest Dancer in the World”, Ken Russell’s tribute to the Mother of Modern Dance. Following in the footsteps of their namesakes, Sylvie and Dora skip, twirl and leap through rival manifestos by German filmmakers, a Nietzschean theory of dance, an ashram brought down by a beautiful secretary, and the unjust treatment of aging female eccentrics.
P.s. Sorry from the bottom of our hearts for the intermittent mic interference. We still don’t fully understand how to use the mics.
By Sylvie & DoraWhat’s in a name? Sylvie and (Isa)dora tell you. Sylvie watches “Sylvie”, a 1973 German TV film about a doomed romance between a cab-driver-cum-sailor and a model, and Dora watches “Isadora, The Biggest Dancer in the World”, Ken Russell’s tribute to the Mother of Modern Dance. Following in the footsteps of their namesakes, Sylvie and Dora skip, twirl and leap through rival manifestos by German filmmakers, a Nietzschean theory of dance, an ashram brought down by a beautiful secretary, and the unjust treatment of aging female eccentrics.
P.s. Sorry from the bottom of our hearts for the intermittent mic interference. We still don’t fully understand how to use the mics.