In this episode Lucy and Jono discuss Cardew’s graphic score for Treatise. They cover how to interpret graphic scores, what makes a good performance, a slight Bowie ramble and a miraculous goldfish called Boris.
The recording of Treatise used was by the QUaX ensemble 1967
<audio class="wp-audio-shortcode" id="audio-598-3" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://laharrisonmusic.co.uk/wp-content/uploads/2017/02/ss_cardew.mp3?_=3" /><a href="https://laharrisonmusic.co.uk/wp-content/uploads/2017/02/ss_cardew.mp3">https://laharrisonmusic.co.uk/wp-content/uploads/2017/02/ss_cardew.mp3</a></audio>

In this episode Lucy and Jono discuss Cardew’s graphic score for Treatise. They cover how to interpret graphic scores, what makes a good performance, a slight Bowie ramble and a miraculous goldfish called Boris. The recording of Treatise used was by the QUaX ensemble 1967 https://laharrisonmusic.co.uk/wp-content/uploads/2017/02/ss_cardew.mp3

In this episode Lucy and Jono discuss Cardew’s graphic score for Treatise. They cover how to interpret graphic scores, what makes a good performance, a slight Bowie ramble and a miraculous goldfish called Boris.
The recording of Treatise used was by the QUaX ensemble 1967
<a href="https://laharrisonmusic.co.uk/wp-content/uploads/2017/02/ss_cardew.mp3" rel="noopener noreferrer">https://laharrisonmusic.co.uk/wp-content/uploads/2017/02/ss_cardew.mp3</a>
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Symphonies & Snacks – Treatise

Symphonies & Snacks – Treatise