
Sign up to save your podcasts
Or
We talk to film producer Andy Horwitz. He talks about about how to let writers go from projects, trying to treat people fairly but also the principle of 'protect the movie at all costs'.
Adam explains the process of movie making, the difference between TV and film rejection and why he was so desperate to become a movie producer.
He tells rejection stories, his own battles to get Triple Frontier made and what's most important to him - blockbuster money, awards or working with good people.
Andy talks about the original Suicide Squad conundrum of it being a commercial success but a critical failure, how he feels about being attached to projects like that and what he learned from it.
A fascinating discussion with a nice guy in a difficult job.
4.9
7676 ratings
We talk to film producer Andy Horwitz. He talks about about how to let writers go from projects, trying to treat people fairly but also the principle of 'protect the movie at all costs'.
Adam explains the process of movie making, the difference between TV and film rejection and why he was so desperate to become a movie producer.
He tells rejection stories, his own battles to get Triple Frontier made and what's most important to him - blockbuster money, awards or working with good people.
Andy talks about the original Suicide Squad conundrum of it being a commercial success but a critical failure, how he feels about being attached to projects like that and what he learned from it.
A fascinating discussion with a nice guy in a difficult job.
658 Listeners
611 Listeners
29,201 Listeners
2,406 Listeners
718 Listeners
420 Listeners
101 Listeners
2,445 Listeners
241 Listeners
111 Listeners
943 Listeners
1,107 Listeners
97 Listeners
987 Listeners
831 Listeners