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In the first of our new Spotlight episodes, where we'll be focusing on one film during a slightly shorter show, this week we're talking about a movie that celebrates its 30th birthday this year, Gus Van Sant's MY OWN PRIVATE IDAHO.
It's a road movie, a riff on Shakespeare’s Henry IV and an essential text of queer cinema (and did we mention it stars River Phoenix as a sensitive narcoleptic who dreams of the mother who abandoned him and Keanu Reeves as the wayward son of a big city mayor, both on a quest along the grungy streets and open highways, in search of an elusive place called home? Well it does.)
MY OWN PRIVATE IDAHO is a deeply moving look at unrequited love and life on society’s margins, and there's never been a better time to revisit this visually dazzling and thematically groundbreaking film.
(Don't worry... we're doing STARSHIP TROOPERS next).
By The Reel TakeIn the first of our new Spotlight episodes, where we'll be focusing on one film during a slightly shorter show, this week we're talking about a movie that celebrates its 30th birthday this year, Gus Van Sant's MY OWN PRIVATE IDAHO.
It's a road movie, a riff on Shakespeare’s Henry IV and an essential text of queer cinema (and did we mention it stars River Phoenix as a sensitive narcoleptic who dreams of the mother who abandoned him and Keanu Reeves as the wayward son of a big city mayor, both on a quest along the grungy streets and open highways, in search of an elusive place called home? Well it does.)
MY OWN PRIVATE IDAHO is a deeply moving look at unrequited love and life on society’s margins, and there's never been a better time to revisit this visually dazzling and thematically groundbreaking film.
(Don't worry... we're doing STARSHIP TROOPERS next).