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We talk to Australian showrunner Luke Tunnecliffe.
He tells us about trying to run a sports documentary during a global pandemic, bringing an LA production to Australia only to get locked down and moving from sports documentaries to scripted dramas.
He explains the difficulty of pitching Australia in Hollywood, the Australian obsession with sport and what he learned about showrunning managing productions during Covid.
We talk the shows that got away, the importance of trust and relationships with streamers and editing 7,500 hours into 7 episodes of television.
By Noah Evslin and Dan Rutstein4.9
7676 ratings
We talk to Australian showrunner Luke Tunnecliffe.
He tells us about trying to run a sports documentary during a global pandemic, bringing an LA production to Australia only to get locked down and moving from sports documentaries to scripted dramas.
He explains the difficulty of pitching Australia in Hollywood, the Australian obsession with sport and what he learned about showrunning managing productions during Covid.
We talk the shows that got away, the importance of trust and relationships with streamers and editing 7,500 hours into 7 episodes of television.