Interview with New York based director and choreographer, Chloe Treat. Some of her credits include: associate choreographer of Broadway’s Natasha Pierre and the Great Comet of 1812 and Heisenberg. Choreographed (R)evolution of Steve Jobs at Santa Fe Opera and the American premiere of a Philip Glass opera called The Perfect American. She recently directed productions of Cabaret, James Joyce’s The Dead and two workshops of a new musical The Wave at Indiana University.