I first learned about Tasheka Arceneaux-Sutton way back in 2015 when I interviewed Silas Munro. Since then, Tasheka has gone on to become one of the leading voices behind discovering Black people omitted from the graphic design history canon. Even design legend Dr. Cheryl D. Miller has sung her praises, so I knew I had to sit down with Tasheka and learn more about her remarkable journey.

Tasheka spoke to me about her experience as an educator and researcher, including an examination of her teaching philosophy. She also talked about growing up in New Orleans, her shift into design, working for the Navy Reservists, and even starting her own studio, Blacvoice Design. Lastly, she discussed her upcoming book Black Design in America, and shared how the different aspects of her work keep her motivated and inspired.

If there’s any lesson you learn from Tasheka, it should be this one: you have control over your own path as a designer, so work hard and you can make your dreams come true!

Tasheka Arceneaux-Sutton

This is Revision Path — an award-winning weekly showcase of Black designers, developers, and digital creatives from all over the world. Each week, host Maurice Cherry interviews these creators about their work, their goals, what inspires them, and much more. First podcast in the Smithsonian NMAAHC.

Personal Journals

Society & Culture

History

Philosophy

Places & Travel

Arts

Literature

Performing Arts

Design

Food

Fashion & Beauty

Visual Arts

Business

Investing

Careers

Management & Marketing

Business News

Shopping

Well, it’s the end of the road. Or rather, the end of the path.

In the final episode of Revision Path, I’m interviewed by design educator and long-time friend Lisa Babb. We reflected on the remarkable milestones achieved by the show, discussed the dynamic shifts and trends that have shaped the design landscape over the years, and I talked about the legacy and influence of this platform, from the guests who have shared their stories to the listeners who have made this community so vibrant and diverse. Make sure you keep listening to the end of the episode for a few special goodbye messages.

This episode is more than a recap of what Revision Path has achieved. My hope is that it will be a beacon for the ongoing evolution, diversification, and recognition of Black designers, developers, and digital creatives from all over the world. The conversations that have taken place here only underscore the enduring power that comes from a vibrant, engaged, and diverse community.

Thank you for allowing me to hold the mic for you all.

Goodbye

I had such a fantastic time speaking with artist, animator, and illustrator Monique Wray. Her bold, colorful, and lively art has been used by Google, Disney, Nickelodeon, Apple, and Microsoft (just to name a few places). We caught up recently to talk about her career and the evolution of her craft over the years.

Throughout our conversation, Monique offered insights into her creative process. She talked about the impact of a pivotal year of self-discovery, the importance of emphasizing humanity in digital art, and she shared her experiences with freelancing and maintaining a balance between professional work and personal projects.

Monique’s journey is such an inspiration for anyone interested in the confluence of art and tech. Thanks to Sam Bass for the introduction!

Monique Wray

As we wind down this year’s Black History Month (and our anniversary month — 11 years!), we’ve got a super-sized episode with someone I’ve wanted to have on the podcast for a long time — the one and only Mike Nicholls. Mike is an award-winning storyteller with deep roots in hip-hop culture and design, and is probably most well-known for creating Umber — the design and culture magazine that highlights the global perspectives of Black people and POC from around the world.

Mike talked about how his love for magazines inspired him to create Umber, and shared some of the triumphs and challenges he’s faced over the years as the brand has evolved from a magazine into a media platform. He also spoke about his time as a designer in Atlanta, Philly, and Chicago, how Oakland inspires his work, and talked about how being a designer and a hip-hop artist helps keep his artistic integrity intact.

For Mike, his creative expression is about more than just making ends meet — it’s about creating with a purpose and about telling stories that resonate on a deeper level and embrace the authenticity of Black and brown experiences!

Mike Nicholls

I had such a blast chopping it up with the extremely talented Katrina Lenzly. Not only is she an award-winning art director who has done incredible creative work for big brands such as HBO, the NBA, and The Coca-Cola Company, but she’s also a public speaker, and a neo-soul hip-hop artist known as King Cooley. (And I thought I did a lot!) We had an incredibly deep and candid conversation about Black cultural expression, being a working designer, and a lot more.

Katrina talked about growing up on the southside of Atlanta, and shared how she made her way to Savannah College of Art and Design and eventually found her design voice in an unlikely place — a skate shop! We also talked about the realities of advocating for Black-centric narratives and DEI initiatives in the design space, the ebb and flow of support for Black creatives after the summer of 2020, and the power of intention.

This interview with Katrina was really a full-circle moment for both of us, so I hope this conversation inspires you to forge your own path in your creative career!

Katrina Lenzly

When it comes to Mitzi Okou, there’s a lot more than meets the eye. She’s a visual and interaction designer, yes, but in addition to that, she’s the founder of Where Are The Black Designers? — a conference that started in 2020 and since then has evolved into an international, volunteer-run, nonprofit design advocacy organization.

Our conversation began with a bit of catching up, then we spent a lot of time talking about what’s happened with WATBD (and the world) since the summer of 2020. Mitzi and I also discussed what it means to sustain yourself doing community work, the current state of DEI and what it means for Black designers, and she shared a bit about what’s in store for the future of WATBD.

Mitzi has made tremendous strides in the design community in a very short period of time, which is a testament to her drive, foresight, and willpower! I can’t wait to see what she’ll accomplish next!

Tasheka Arceneaux-Sutton

Download our free app to listen on your phone