A downtown theater playwright, a sensational Broadway actress and a most unusual family are all part of the show called "Hir" (pronounced "here").

Playwright Taylor Mac is probably best known — to those who follow downtown theater, at least — as an androgynous singer and actor who appears in his own shows. But with "Hir," in which he does not appear, he’s advancing his career in a new direction. The family-in-crisis story involves a returning war veteran, an angry spouse and more than a little gender-bending.

New York Times theater critic Charles Isherwood looks at this twice-extended bold comedy, which has been extended yet a third time to run through Jan. 3 at Playwrights Horizons.