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Taylor Swift Dragged into Blake Lively-Justin Baldoni Legal Feud Over 'It Ends With Us' Film
In a dramatic turn of events, global superstar Taylor Swift has been drawn into the escalating legal feud between actress Blake Lively and director/actor Justin Baldoni, stemming from their work on the film "It Ends With Us."
Swift, known for her chart-topping hits and record-breaking tours, has been subpoenaed by Baldoni's legal team in the ongoing lawsuit. However, according to a statement from Swift's spokesperson, her involvement in the film was strictly limited to licensing her song "My Tears Ricochet" for use in the trailer and a scene. The spokesperson emphasized that Swift "never set foot on the set of this movie, she was not involved in any casting or creative decisions, she did not score the film, she never saw an edit or made any notes on the film, and was traveling around the globe during 2023 and 2024 headlining the biggest tour in history," referring to her Eras Tour[2][4].
The legal battle between Lively and Baldoni began late last year when Lively accused Baldoni and his team of orchestrating a smear campaign against her after she reported on-set sexual harassment. Baldoni countered with a lawsuit, alleging that Lively's accusations are baseless and have severely damaged his career, reputation, and personal life[1][4].
Swift's subpoena has been met with criticism from her team, who argue that it is a tactic to draw public interest and create tabloid clickbait rather than focusing on the facts of the case. The spokesperson stated, "Given that her involvement was licensing a song for the film, which 19 other artists also did, this document subpoena is designed to use Taylor Swift's name to draw public interest by creating tabloid clickbait instead of focusing on the facts of the case"[2][4].
This development adds another layer of complexity to the already contentious legal dispute, which is set to go to trial in March 2026. The case involves significant figures, including Lively's husband Ryan Reynolds, her publicist Leslie Sloane, and even The New York Times, all of whom are seeking dismissal from Baldoni's $400 million defamation and extortion lawsuit[4].
As the legal drama unfolds, it remains to be seen how Swift's involvement, or lack thereof, will impact the proceedings. One thing is clear, however: Taylor Swift's name has become an unintended focal point in a legal battle that is far from over.
Swift, known for her chart-topping hits and record-breaking tours, has been subpoenaed by Baldoni's legal team in the ongoing lawsuit. However, according to a statement from Swift's spokesperson, her involvement in the film was strictly limited to licensing her song "My Tears Ricochet" for use in the trailer and a scene. The spokesperson emphasized that Swift "never set foot on the set of this movie, she was not involved in any casting or creative decisions, she did not score the film, she never saw an edit or made any notes on the film, and was traveling around the globe during 2023 and 2024 headlining the biggest tour in history," referring to her Eras Tour[2][4].
The legal battle between Lively and Baldoni began late last year when Lively accused Baldoni and his team of orchestrating a smear campaign against her after she reported on-set sexual harassment. Baldoni countered with a lawsuit, alleging that Lively's accusations are baseless and have severely damaged his career, reputation, and personal life[1][4].
Swift's subpoena has been met with criticism from her team, who argue that it is a tactic to draw public interest and create tabloid clickbait rather than focusing on the facts of the case. The spokesperson stated, "Given that her involvement was licensing a song for the film, which 19 other artists also did, this document subpoena is designed to use Taylor Swift's name to draw public interest by creating tabloid clickbait instead of focusing on the facts of the case"[2][4].
This development adds another layer of complexity to the already contentious legal dispute, which is set to go to trial in March 2026. The case involves significant figures, including Lively's husband Ryan Reynolds, her publicist Leslie Sloane, and even The New York Times, all of whom are seeking dismissal from Baldoni's $400 million defamation and extortion lawsuit[4].
As the legal drama unfolds, it remains to be seen how Swift's involvement, or lack thereof, will impact the proceedings. One thing is clear, however: Taylor Swift's name has become an unintended focal point in a legal battle that is far from over.
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By Quiet. PleaseIn a dramatic turn of events, global superstar Taylor Swift has been drawn into the escalating legal feud between actress Blake Lively and director/actor Justin Baldoni, stemming from their work on the film "It Ends With Us."
Swift, known for her chart-topping hits and record-breaking tours, has been subpoenaed by Baldoni's legal team in the ongoing lawsuit. However, according to a statement from Swift's spokesperson, her involvement in the film was strictly limited to licensing her song "My Tears Ricochet" for use in the trailer and a scene. The spokesperson emphasized that Swift "never set foot on the set of this movie, she was not involved in any casting or creative decisions, she did not score the film, she never saw an edit or made any notes on the film, and was traveling around the globe during 2023 and 2024 headlining the biggest tour in history," referring to her Eras Tour[2][4].
The legal battle between Lively and Baldoni began late last year when Lively accused Baldoni and his team of orchestrating a smear campaign against her after she reported on-set sexual harassment. Baldoni countered with a lawsuit, alleging that Lively's accusations are baseless and have severely damaged his career, reputation, and personal life[1][4].
Swift's subpoena has been met with criticism from her team, who argue that it is a tactic to draw public interest and create tabloid clickbait rather than focusing on the facts of the case. The spokesperson stated, "Given that her involvement was licensing a song for the film, which 19 other artists also did, this document subpoena is designed to use Taylor Swift's name to draw public interest by creating tabloid clickbait instead of focusing on the facts of the case"[2][4].
This development adds another layer of complexity to the already contentious legal dispute, which is set to go to trial in March 2026. The case involves significant figures, including Lively's husband Ryan Reynolds, her publicist Leslie Sloane, and even The New York Times, all of whom are seeking dismissal from Baldoni's $400 million defamation and extortion lawsuit[4].
As the legal drama unfolds, it remains to be seen how Swift's involvement, or lack thereof, will impact the proceedings. One thing is clear, however: Taylor Swift's name has become an unintended focal point in a legal battle that is far from over.
Swift, known for her chart-topping hits and record-breaking tours, has been subpoenaed by Baldoni's legal team in the ongoing lawsuit. However, according to a statement from Swift's spokesperson, her involvement in the film was strictly limited to licensing her song "My Tears Ricochet" for use in the trailer and a scene. The spokesperson emphasized that Swift "never set foot on the set of this movie, she was not involved in any casting or creative decisions, she did not score the film, she never saw an edit or made any notes on the film, and was traveling around the globe during 2023 and 2024 headlining the biggest tour in history," referring to her Eras Tour[2][4].
The legal battle between Lively and Baldoni began late last year when Lively accused Baldoni and his team of orchestrating a smear campaign against her after she reported on-set sexual harassment. Baldoni countered with a lawsuit, alleging that Lively's accusations are baseless and have severely damaged his career, reputation, and personal life[1][4].
Swift's subpoena has been met with criticism from her team, who argue that it is a tactic to draw public interest and create tabloid clickbait rather than focusing on the facts of the case. The spokesperson stated, "Given that her involvement was licensing a song for the film, which 19 other artists also did, this document subpoena is designed to use Taylor Swift's name to draw public interest by creating tabloid clickbait instead of focusing on the facts of the case"[2][4].
This development adds another layer of complexity to the already contentious legal dispute, which is set to go to trial in March 2026. The case involves significant figures, including Lively's husband Ryan Reynolds, her publicist Leslie Sloane, and even The New York Times, all of whom are seeking dismissal from Baldoni's $400 million defamation and extortion lawsuit[4].
As the legal drama unfolds, it remains to be seen how Swift's involvement, or lack thereof, will impact the proceedings. One thing is clear, however: Taylor Swift's name has become an unintended focal point in a legal battle that is far from over.