This week on TDL Synhat, we sit down with James Wickham — a Texas‑based industrial musician, sound designer, and full‑blown modular addict with a wall of Eurorack that could heat a small house.

If you've ever wondered how people fall into the modular rabbit hole, why it becomes so addictive, or how modular fits into a modern production workflow, this episode is a goldmine.

James Wickham walks us through his journey from metal guitarist → tracker kid → industrial producer → modular sound‑designer, and explains how he uses his massive Eurorack system as a sound‑palette for sampling, crafting one‑shot tones and textures that become the building blocks of his music.

Whether you're modular‑curious or already drowning in patch cables, you'll get a ton out of this conversation.

🎙️ Episode Highlights

• Why modular becomes addictive even for people who didn't think it was for them

• How sampling modular one‑shots can unlock a whole new workflow

• The emotional rollercoaster of buying, selling, and regretting gear

• Why Renoise is perfect for modular‑based production

• The philosophy of treating modular as a color palette, not a full DAW replacement

• The joy of capturing "lightning in a bottle" sounds you'll never recreate again