
Sign up to save your podcasts
Or


The 1980s was not only a time of genre excellence, but also one of romantic comedies about surly tone-deaf white men and their indefatigable struggle to remain that way. To this semi golden age of toxic masculinity, we consign Paul Mazursky’s Tempest, in which an otherwise sensitive and big-hearted filmmaker somehow marshals the talents of John Cassavetes, Gena Rowlands, Susan Sarandon, Raul Julia, and (in her big screen debut) Molly Ringwald, to deliver some of the least likable characters in screen history. And it’s (vaguely) based on Shakespeare’s The Tempest, which only leaves Paul, Javi, and - indubitably - Producer Brad filling the much needed void with some of the finest comedy commentary of their careers!
Follow us!
Bluesky
email: [email protected]
Hosted on Acast. See acast.com/privacy for more information.
By Javier Grillo-Marxuach |Paul Alvarado-Dykstra | Bradley Dumont4.8
2626 ratings
The 1980s was not only a time of genre excellence, but also one of romantic comedies about surly tone-deaf white men and their indefatigable struggle to remain that way. To this semi golden age of toxic masculinity, we consign Paul Mazursky’s Tempest, in which an otherwise sensitive and big-hearted filmmaker somehow marshals the talents of John Cassavetes, Gena Rowlands, Susan Sarandon, Raul Julia, and (in her big screen debut) Molly Ringwald, to deliver some of the least likable characters in screen history. And it’s (vaguely) based on Shakespeare’s The Tempest, which only leaves Paul, Javi, and - indubitably - Producer Brad filling the much needed void with some of the finest comedy commentary of their careers!
Follow us!
Bluesky
email: [email protected]
Hosted on Acast. See acast.com/privacy for more information.

30,038 Listeners

112,351 Listeners