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Nick returns to the oddball corner of Saturday Night Live with another dive into the infamous 12:50 sketches. These are the sketches that are too strange, too awkward, or too experimental to air any earlier, so they’re tucked away at the end of the show when the audience thins out and the rules seem to loosen.
This collection includes appearances by Anna Faris, Alec Baldwin, Catherine O’Hara, and even Oprah Winfrey. Sketches range from a woman wearing a wedding dress to a funeral, to a server working a diner shift while missing a shoe, to a calendar full of deformed male models that draws an unusual kind of admiration. There’s also a detour into the legend of Bill Brasky and a truly wild musical moment featuring Billy Joel’s “Goodnight Saigon” with surprise cameos from Tom Hanks, Anne Hathaway, Paul Rudd, and others.
As always, Nick unpacks the behind-the-scenes details and explains how these wonderfully strange sketches found their way into one of the most unpredictable time slots in television. [Ep 133]
By Nick Digilio / Radio Misfits Podcast Network4.5
6060 ratings
Nick returns to the oddball corner of Saturday Night Live with another dive into the infamous 12:50 sketches. These are the sketches that are too strange, too awkward, or too experimental to air any earlier, so they’re tucked away at the end of the show when the audience thins out and the rules seem to loosen.
This collection includes appearances by Anna Faris, Alec Baldwin, Catherine O’Hara, and even Oprah Winfrey. Sketches range from a woman wearing a wedding dress to a funeral, to a server working a diner shift while missing a shoe, to a calendar full of deformed male models that draws an unusual kind of admiration. There’s also a detour into the legend of Bill Brasky and a truly wild musical moment featuring Billy Joel’s “Goodnight Saigon” with surprise cameos from Tom Hanks, Anne Hathaway, Paul Rudd, and others.
As always, Nick unpacks the behind-the-scenes details and explains how these wonderfully strange sketches found their way into one of the most unpredictable time slots in television. [Ep 133]

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