Agent Mora notices someone watching his apartment and decides to investigate. What begins as a simple surveillance tail leads to a shootout, a drug operation, and a confrontation with a masked figure. Meanwhile, the rest of the team prepares to return to the McAllister Building.

The agents regroup to compare notes and dig deeper. What did Midas learn from Abigail’s father?
What’s hidden in that police report?
And why does the McAllister Building still feel unfinished? Some answers are buried. Others are waiting in the walls.
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The agents regroup to search Abigail Wright’s apartment.....again. One travels upstate to meet her father.
The others dig through dreams, old paintings, and one very unnerving children’s book.
What they find connects more than just dots. It connects families. Some stories don’t end when you wake up. Hang out with the cast here: https://linktr.ee/elementalgamingnexus
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The agents have returned to the surface. Now it’s time to ask what really happened.
What was Abigail working on?
Where did the red book come from? Some answers live in the past. Others are still waiting. Hang out with the cast here: https://linktr.ee/elementalgamingnexus
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The agents step back into their normal lives; f such a thing still exists. There’s a new drug on the streets.
A book in a child’s hands that shouldn’t be real.
And a painting on a VHS tape that was never filmed. Some threats stay in the dark. Others follow you home. Hang out with the cast here: https://linktr.ee/elementalgamingnexus
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Inside the impossible fourth floor, the agents explore a 1930s smoking lounge and a hallway full of featureless doors. Behind them lie surreal, disjointed rooms: marionettes bleeding tissue paper, windows into their past, and wards filled with ghostlike hospital patients. The deeper they go, the more the building twists to reflect their fears and memories.

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The agents return to the McAllister Building and confront Thomas Manuel, uncovering disturbing inconsistencies in his story and behavior. As they pressure him for answers, Manuel references recordings from the night manager and speaks of "floors above" that inspire his artwork. Despite their skepticism, the agents ascend the stairs to the rooftop—and find themselves in an impossible place: a 1930s smoking lounge that could not physically exist. The fourth floor has revealed itself. Reality bends. Time slips. And behind every polite smile is the quiet whisper of something watching.

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The agents return to the McAllister Building to confront a resident who’s been secretly recording the empty apartment. But what starts as a simple questioning spirals into something much stranger. A painting reveals impossible details. A confession leads to confusion. And then… a fourth floor appears — where there should be none. As the team steps through the door, they realize reality may be bending around them. Sanity frays as they begin their climb into unknown architecture. Listen to discover what lies beyond the rooftop.

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One of the McAllister tenants has been painting strange images—images that shouldn’t exist. Some of the paintings depict moments the agents haven't experienced yet. Others capture private details they never shared. One canvas appears blank… until you stare long enough. As the agents investigate the artist, Thomas Manuel, they uncover not only disturbing portraits, but a larger pattern of manipulation, compulsion, and perhaps prophecy. What is the “great work” he’s painting—and why does it seem to know them?
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A body on the autopsy table shouldn't be moving—but it is. And the agents investigating it are far from ordinary. The agents uncover a connection to an architect named Asa Daribondi, whose past is soaked in blood, missing children, and a string of disturbing structures built to shape human thought. Back at the McAllister, clues mount, but so do inconsistencies. As the truth begins to rise from the depths of New York’s forgotten corners, the agents must face the growing reality that this case is not of this world.

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