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Visit the “A Bedtime Story” show website to submit your story ideas for a future episode!
Welcome to A Bedtime Story. I'm Matthew Mitchell, and tonight's story is titled The Archives of Alistair, Part 3 of this week's series: The Midnight Museum and the Lost Key.
The service elevator descended with a groan of metal and a sound like a thousand angry wasps, finally depositing Eliza onto the third sub-level of the Archives. The air here was cool, dry, and heavy with the scent of old paper and leather. The Archives were a labyrinth of shelving units, housing the museum's documents, records, and the forgotten personal effects of figures connected to its history.
Eliza found the section labeled "Finch, A." immediately. It wasn't a file cabinet, but a small, heavy wooden trunk tucked beneath a massive blueprint rack. The trunk was secured with a simple, un-locked latch, another theatrical detail from her unseen challenger.
Inside the trunk were bundles of brittle, yellowed letters, a pair of dusty wire-rimmed spectacles, and a leather-bound journal. Lying on top of the journal was the beautiful, oversized silver and obsidian key. The Chronos Scribe key. Eliza let out a long, slow breath of relief, the tension draining out of her shoulders. She grabbed the key, its weight instantly reassuring.
But she didn't leave. The journal was open to the last entry, and she knew she had to read it. This was the true 'memory' the note-writer wanted her to discover. The journal was dated the day Alistair Finch vanished.
The entry was short and frantic: "The Scribe is too powerful. It knows too much. Its prophecy is true—it will predict tragedy for the city. I cannot allow the board to wind it tonight; they will panic and cause the very disaster it foretells. I have hidden the key, but a single, final message must be left for the one who finds it. The Scribe's work is flawed, but my other creation, the little canary, is not. The canary alone holds the true key to its safety. It must be found and locked away. The Archives. Level Three. Near the trunk. I must flee now."
Eliza looked at the blueprint she found in the locket: the clockwork canary. Alistair Finch hadn't been a madman who disappeared; he had been a man terrified by the accuracy of his own creation. He hadn't just hidden the winding key; he had hidden the key to stopping the Scribe.
She closed the journal and immediately noticed a small, recessed square in the wall behind the empty space where the trunk had been. She pressed on it, and a tiny, perfectly carved wooden bird cage, no bigger than her hand, swung out on a silent brass hinge. Inside was the clockwork canary, resting peacefully on a little perch. It was exquisite, carved from dark cherry wood and intricately detailed.
The midnight hour was upon her. A low, resonant chime began to echo up from the main hall. Eliza knew she only had moments. She had to get the winding key to the Scribe, but more importantly, she had to lock away the canary as its creator had requested.
She took the small cage and the journal, secured the trunk, and raced back to the elevator. It was a terrifying, heart-pounding ascent. She burst out onto the main floor and ran toward the central display, the chime of the clock now deafening.
Just as the final, massive twelfth chime reverberated through the hall, Eliza reached the Chronos Scribe. She thrust the silver and obsidian key into the winding mechanism and twisted. The gears within whirred to life, and the automaton’s arm began to move. The quill dipped into the inkwell and started to write the week's prediction.
As the Scribe finished its single, stark sentence, Eliza quickly opened a small, unused security box that was cleverly hidden beneath the display podium. Following Alistair Finch’s instructions in the journal, she carefully placed the clockwork canary inside, locked the box with the spare security key she always carried, and pocketed the box key.
The prophecy on the parchment was exactly what Alistair Finch had dreaded: "Major Financial Ruin." The museum board would indeed panic. But Eliza knew the truth. The canary, the key to its safety, was now safe. She had done the trade: she traded the Clockmaker's secret for the winding key.
Just then, a small, black kitten with enormous green eyes padded out from behind the velvet rope, let out a soft meow, and rubbed against her ankle. A simple, silver pendant hung from its collar—a tiny, winged hourglass. The unseen challenger wasn’t a person, but the museum’s clever little cat. It must have found the key earlier, played with it, and used the notes Eliza sometimes left for herself to create the entire, elaborate treasure hunt.
Eliza laughed, a genuine, joyful sound that broke the museum's tension. She had the key, the prophecy was written, and she had a new, much more interesting secret to keep.
By Matthew MitchellVisit the “A Bedtime Story” show website to submit your story ideas for a future episode!
Welcome to A Bedtime Story. I'm Matthew Mitchell, and tonight's story is titled The Archives of Alistair, Part 3 of this week's series: The Midnight Museum and the Lost Key.
The service elevator descended with a groan of metal and a sound like a thousand angry wasps, finally depositing Eliza onto the third sub-level of the Archives. The air here was cool, dry, and heavy with the scent of old paper and leather. The Archives were a labyrinth of shelving units, housing the museum's documents, records, and the forgotten personal effects of figures connected to its history.
Eliza found the section labeled "Finch, A." immediately. It wasn't a file cabinet, but a small, heavy wooden trunk tucked beneath a massive blueprint rack. The trunk was secured with a simple, un-locked latch, another theatrical detail from her unseen challenger.
Inside the trunk were bundles of brittle, yellowed letters, a pair of dusty wire-rimmed spectacles, and a leather-bound journal. Lying on top of the journal was the beautiful, oversized silver and obsidian key. The Chronos Scribe key. Eliza let out a long, slow breath of relief, the tension draining out of her shoulders. She grabbed the key, its weight instantly reassuring.
But she didn't leave. The journal was open to the last entry, and she knew she had to read it. This was the true 'memory' the note-writer wanted her to discover. The journal was dated the day Alistair Finch vanished.
The entry was short and frantic: "The Scribe is too powerful. It knows too much. Its prophecy is true—it will predict tragedy for the city. I cannot allow the board to wind it tonight; they will panic and cause the very disaster it foretells. I have hidden the key, but a single, final message must be left for the one who finds it. The Scribe's work is flawed, but my other creation, the little canary, is not. The canary alone holds the true key to its safety. It must be found and locked away. The Archives. Level Three. Near the trunk. I must flee now."
Eliza looked at the blueprint she found in the locket: the clockwork canary. Alistair Finch hadn't been a madman who disappeared; he had been a man terrified by the accuracy of his own creation. He hadn't just hidden the winding key; he had hidden the key to stopping the Scribe.
She closed the journal and immediately noticed a small, recessed square in the wall behind the empty space where the trunk had been. She pressed on it, and a tiny, perfectly carved wooden bird cage, no bigger than her hand, swung out on a silent brass hinge. Inside was the clockwork canary, resting peacefully on a little perch. It was exquisite, carved from dark cherry wood and intricately detailed.
The midnight hour was upon her. A low, resonant chime began to echo up from the main hall. Eliza knew she only had moments. She had to get the winding key to the Scribe, but more importantly, she had to lock away the canary as its creator had requested.
She took the small cage and the journal, secured the trunk, and raced back to the elevator. It was a terrifying, heart-pounding ascent. She burst out onto the main floor and ran toward the central display, the chime of the clock now deafening.
Just as the final, massive twelfth chime reverberated through the hall, Eliza reached the Chronos Scribe. She thrust the silver and obsidian key into the winding mechanism and twisted. The gears within whirred to life, and the automaton’s arm began to move. The quill dipped into the inkwell and started to write the week's prediction.
As the Scribe finished its single, stark sentence, Eliza quickly opened a small, unused security box that was cleverly hidden beneath the display podium. Following Alistair Finch’s instructions in the journal, she carefully placed the clockwork canary inside, locked the box with the spare security key she always carried, and pocketed the box key.
The prophecy on the parchment was exactly what Alistair Finch had dreaded: "Major Financial Ruin." The museum board would indeed panic. But Eliza knew the truth. The canary, the key to its safety, was now safe. She had done the trade: she traded the Clockmaker's secret for the winding key.
Just then, a small, black kitten with enormous green eyes padded out from behind the velvet rope, let out a soft meow, and rubbed against her ankle. A simple, silver pendant hung from its collar—a tiny, winged hourglass. The unseen challenger wasn’t a person, but the museum’s clever little cat. It must have found the key earlier, played with it, and used the notes Eliza sometimes left for herself to create the entire, elaborate treasure hunt.
Eliza laughed, a genuine, joyful sound that broke the museum's tension. She had the key, the prophecy was written, and she had a new, much more interesting secret to keep.