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The 'Art' in Artificial with Chris Dobrowolski
Hello and welcome to another episode of the Perception Podcast with me your host Caroline Partridge. Today I revisit my conversation with artist and performer Chris Dobrowolski as we focus on the motivation for Chris' new show 'Toy Stories'. We look at the implicit challenges in creating and performing the same material night after night and discuss the notion of authenticity, a central motif of Chris' work. Chris shares his thoughts on the fluid boundaries between what is perceived as real and the unreal and how he uses that in his show. Please join me as we look at art through a different lens.
KEY TAKEAWAYS
- Post-truth politics is almost taking on the persona of art and fantasy, but it’s our reality right now. Chris blurs the lines between real and unreal in his work, much like in post-truth politics.
- The hand gestures, facial expressions and mannerisms of Hitler were all rehearsed, he wasn’t always authentic in his presentation, attending many photo shoots where he would pose.
- As an artist and even a human being, we change over time. An artist can’t be expected to do the same content, presentations or show time and time again. There will be and has to be natural variation.
- Authenticity is challenging when performing repetitive material, but finding genuineness in the fakeness helps.
- Allowing creativity to flow without the pressure of success can be freeing.
- Audience perception shifts based on how and where art is presented.
- Timing and building audience expectations are key in comedy.
BEST MOMENTS
“Art is the lie that shows the truth”
“To stop myself from going mind I do find myself doing things different”
“Some of them are going to brilliant [shows] some of them are going to be shit”
“I'm interested in where this sort of boundary between real and unreal is, you know, where it's art and where it's art, where it's real and artificial."
"People like to feel clever, the audience like to feel included, the audience like to go, ah, I got that."
ABOUT THE GUEST
Bio:
Biog
Socials & Links:
Website
https://www.chrisdobo.com/
https://www.facebook.com/ChrisDobrowolskiArt/
https://www.instagram.com/chrisdobrowolski/
https://twitter.com/Chris_Dobo
ABOUT THE HOST
Bio
Caroline Partridge is a unique and creative individual. She is an actress, puppeteer, educator, and artist with funny bones. She loves a story and is an expert at conveying wit and wisdom with warmth, understanding, and empathy.
CONTACT METHOD
FACEBOOK - https://www.facebook.com/caropartridge
LinkedIn - https://www.linkedin.com/in/caroline-partridge-03131520
Instagram - https://www.instagram.com/partridge_caroline
View all episodes
By Caroline PartridgeHello and welcome to another episode of the Perception Podcast with me your host Caroline Partridge. Today I revisit my conversation with artist and performer Chris Dobrowolski as we focus on the motivation for Chris' new show 'Toy Stories'. We look at the implicit challenges in creating and performing the same material night after night and discuss the notion of authenticity, a central motif of Chris' work. Chris shares his thoughts on the fluid boundaries between what is perceived as real and the unreal and how he uses that in his show. Please join me as we look at art through a different lens.
KEY TAKEAWAYS
- Post-truth politics is almost taking on the persona of art and fantasy, but it’s our reality right now. Chris blurs the lines between real and unreal in his work, much like in post-truth politics.
- The hand gestures, facial expressions and mannerisms of Hitler were all rehearsed, he wasn’t always authentic in his presentation, attending many photo shoots where he would pose.
- As an artist and even a human being, we change over time. An artist can’t be expected to do the same content, presentations or show time and time again. There will be and has to be natural variation.
- Authenticity is challenging when performing repetitive material, but finding genuineness in the fakeness helps.
- Allowing creativity to flow without the pressure of success can be freeing.
- Audience perception shifts based on how and where art is presented.
- Timing and building audience expectations are key in comedy.
BEST MOMENTS
“Art is the lie that shows the truth”
“To stop myself from going mind I do find myself doing things different”
“Some of them are going to brilliant [shows] some of them are going to be shit”
“I'm interested in where this sort of boundary between real and unreal is, you know, where it's art and where it's art, where it's real and artificial."
"People like to feel clever, the audience like to feel included, the audience like to go, ah, I got that."
ABOUT THE GUEST
Bio:
Biog
Socials & Links:
Website
https://www.chrisdobo.com/
https://www.facebook.com/ChrisDobrowolskiArt/
https://www.instagram.com/chrisdobrowolski/
https://twitter.com/Chris_Dobo
ABOUT THE HOST
Bio
Caroline Partridge is a unique and creative individual. She is an actress, puppeteer, educator, and artist with funny bones. She loves a story and is an expert at conveying wit and wisdom with warmth, understanding, and empathy.
CONTACT METHOD
FACEBOOK - https://www.facebook.com/caropartridge
LinkedIn - https://www.linkedin.com/in/caroline-partridge-03131520
Instagram - https://www.instagram.com/partridge_caroline