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Martin Atkins’ list of credits and accolades are more than most of you have had hot dinners. After all, the drummer extraordinaire has played with Killing Joke, Ministry, PigFace, and many more including PiL - Public Image Limited. Martin pounded out astonishing rhythms alongside John Lydon and Keith Levene on an album that remains shrouded in controversy, Flowers Of Romance. Now on the 40th anniversary of the release of an album that was scornfully panned by the critics and remains to this day a raison d'être for musicologists to argue over. Mr. Atkins in his usual candid tone asked to set the record straight about the recording of Flowers Of Romance. He begins by noting that famed bassist, Jah Wobble had left PiL as the sessions were about to start. Martin then continues with surprising details, most never heard before. These are stunning revelations about an album that now has been rediscovered and newly appreciated. Martin Atkins always charms us with his anecdotes, his sincerity way out front. In setting the record straight, Atkins uncovers the suspicion that making records is not in any aspect glamorous. This is history, a true story, told by a man who shares his memories with poignant honesty.
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By Norman BMartin Atkins’ list of credits and accolades are more than most of you have had hot dinners. After all, the drummer extraordinaire has played with Killing Joke, Ministry, PigFace, and many more including PiL - Public Image Limited. Martin pounded out astonishing rhythms alongside John Lydon and Keith Levene on an album that remains shrouded in controversy, Flowers Of Romance. Now on the 40th anniversary of the release of an album that was scornfully panned by the critics and remains to this day a raison d'être for musicologists to argue over. Mr. Atkins in his usual candid tone asked to set the record straight about the recording of Flowers Of Romance. He begins by noting that famed bassist, Jah Wobble had left PiL as the sessions were about to start. Martin then continues with surprising details, most never heard before. These are stunning revelations about an album that now has been rediscovered and newly appreciated. Martin Atkins always charms us with his anecdotes, his sincerity way out front. In setting the record straight, Atkins uncovers the suspicion that making records is not in any aspect glamorous. This is history, a true story, told by a man who shares his memories with poignant honesty.
Read more here