The Phoblographer

The Beginner's Guide to Photography Terminology


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So you want to get into photography? Great! There are a couple of terms that everyone really needs to learn first before they get into this and beforehand. They are the most basic of terminology that is essential to photography. I will be using these terms throughout my pieces and this is a good reference guide for students that are taking a photography class as well.
Know this: these terms are very, very interchangeable in the photography world. Here’s the Sparknotes version of them all. You can refer to this list forever to find answers.
Rule of Thirds- This is the basic idea of composition. It is essentially dividing the image up into three horizontal and vertical sections.
These lines are available to see on most point-and-shoot cameras. On a DSLR, you can either change the filter in your eyepiece (viewfinder) or imagine them. Depending on who you ask (and I’ve been taught both ways by my mentors and in internships) you can either use the lines to ensure that your subjects (those you are photographing) are not centered or that they are centered.
For more interesting images, don’t center your subjects. However, there are times when it really is essential to do that.
Shutter Speed- This is how long your camera’s shutter stays open for and it can be read on either the back of your screen or within the viewfinder. It is typically a fraction or a whole number.
For example:
1/15 = a fifteenth of a second
1/1000= a thousandth of a second
1”= 1 second
15” = fifteen seconds
Here are the basic rules to follow:
The longer the shutter speed the more motion that will be captured and the stiller you need to remain. This is great for capturing nighttime scenes.
The faster the shutter speed the less motion will be captured. This is great for capturing fast moving objects like sports action.
On your camera, this can be seen with the S mode.
Aperture- This is also known as an F stop. It controls how much of your image is in focus or not (IE what is clearly and sharply seen and what is blurred out.) It also controls how much light comes into the lens of your camera and hits the sensor (the equivalent of film.)
In general:
f1.4 = Enables high shutter speeds, not much is in focus.
f2.8 = Enables almost as high shutter speeds, more is in focus. Great for portraits.
f11 = Needs slower shutter speeds, much more is in focus.
f22 = Needs the slowest of shutter speeds. Everything you point your lens at should be in focus. Best used with a flash unless there is tons of available bright light.
On your camera this is also known as AV mode.
Depth of Field- This is what is the range of distance within the subject that is acceptably and sharply in focus. It can be controlled using your F stops.
ISO- Light sensitivity of your camera’s sensor. The higher the ISO, the more sensitive your camera will be to light and the grainier your images will be. The lower the ISO, the less sensitive the camera will be to light and the less grainier your images. Higher ISOs allow for faster shutter speeds.
ISO 100 = great for daylight use, no image grain.
ISO 400 = great for twilight use, a bit more grain.
ISO 1600 = much more suited towards low light or high action where you need to stop fast movement.
ISO 6400 = Even better suited to low light and fast action, but delivers grainy images.
Manual- A shooting mode on your camera that enables you to control every aspect of shooting. You can manipulate the shutter speeds, ISO settings, aperture settings and loads more. On your camera this is the “M” mode.
Exposure- This term is used very, very interchangeably in the photographic community. It can mean your shutter speed, a single photo and other things. Your camera has something called, “Exposure Compensation” that depending on the meter will either make your image brighter or darker.
The way it typically can work on your camera is by adjusting the shutter speed, ISO or aperture depending on what shooting mode (manual, aperture, shutter priority or program) that you are in...
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The PhoblographerBy The Phoblographer