Slowly continuing the pedagogical punch of Dennis Leroy Kangalee's midnight meditations on "Visual Liberation" citing: Paul Robeson, Moscow, the morality of photography, and the makings of a wobbly cinema. Stepping back into the spiritual etymology of "protest cinema" and suggesting musical parallels while dusting off the architecture of radical art and its vigilant humanism, this episode plunges further into the cobweb of what a "revolutionary cinema" could actually be and slowly begins to reference examples and artists who deserve a radical re-assessment if not appreciation in order to understand what has already been done, what's always worth trying...and what is the constant struggle with dramatic cinematic art that aims to free us like a good rock song or a jazz excursion into the unknown.