We answer both Zelda and Final Fantasy emails! Some topics we discuss include a potential fate of Sonia and Rauru’s possible child, Ellone’s ambiguous status as a sorceress, and the nuances of letting Zelda use the Sword.

We play Final Fantasy X to completion. Along the way, we discuss the importance of a grueling dungeon to the theme of hope and sorrow, the shocking fate of Zanarkand, and how Final Fantasy X does or does not change what it means to be a Final Fantasy game.

We play Final Fantasy X from the Zanarkand Ruins to just before the final battle against Sin. Along the way, we discuss the odd coldness between Tidus and Yuna, the clunky pacing of the second half of the game, and the dogged persistence of Final Fantasy III's themes.

We play Final Fantasy X from entering the Calm Lands to just before arriving at the Zanarkand Ruins. Along the way, we discuss the superfluous role of Kimahri, the value of a side quest, and Tidus' willingness to lie to Yuna.

We play Final Fantasy X from the first save point on an Airship to just before entering the Calm Lands. Along the way, we discuss the most romantic cutscene ever animated, some much more awkward cutscenes in Bevelle, and the disappointingly shallow portrayal of Yevon leadership.

We play Final Fantasy X from Macalania Woods to the first save point on an Airship. Along the way, we discuss the way characters talk around painful truths, what Tidus offers Yuna, and the odd pacing of cutscenes and dungeons.

We play Final Fantasy X from leaving the Djose Temple to arriving at Macalania Woods. Along the way, we discuss the new theme of romantic jealousy, the returning theme of racism, and FFX characters as reimaginings of FFVII characters.

We play Final Fantasy X from arriving at the Mi'ihen Highlands to completing the Djose Temple. Along the way, we discuss the journey-type structure of the game, the first appearance of an evil church in the series, and what it means for Yuna to smile.

We play Final Fantasy X from boarding the ship to leave Besaid to arriving at the Mi’ihen Highroad. Along the way, we discuss what makes romance writing good, the unusual relationship between Wakka and Lulu, and the narrative design of the Jecht Shot.

We play Final Fantasy X from the beginning to just before boarding the ship to leave Besaid. Along the way, we discuss behind-the-scenes production information, how FFX responds to 8 and 9, and the welcome return of untimed turn-based battles.