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The Broken Shelf 153: Omamori Himari Volumes Zero & Nine
[Warning] This episode contains explicit language and explicit themes. Listener discretion is advised.
A production volume and the turning point volume. Two volumes, more hijinks. Danny talks about volume zero and why it's important for a collector to buy and why it has impact on the main story line even if it doesn't seem like it. He also goes over the artistic styles contained with in and explains why they are better or worse than Mantra's. Then he moves on to volume nine and why it may be the most important volume in the series. He talks through the volumes positives and negatives and tries to articulate why the relatively calm volume is psychologically the best of them so far.
~Follow all the Legionaries on Twitter~
Danny: twitter.com/legionsarchive
The Tsar: twitter.com/TsarAlexander6
Allen: twitter.com/blkydpease
Spangar: twitter.com/LSFspangar
~Credits~
Original Sound Cloud image taken from Yen-Press at: https://yenpress.com/9780316229159/omamori-himari-vol-9/
Original cover art for Sound Cloud owned by Milan Mantra, Yen-Press, Hope Donovan, Hachette Book Group, Fujimishobo Co. Kadokawa Shoten Publishing, and Tuttle-Mori Agency.
Original "The Broken Shelf" symbol created and published by Danny Archive.
New "The Broken Shelf" symbol created by CMart Graphics - follow IG @cmartgraphics
Music - "Outta Time"
Artist - RKVS
Provided free from YouTube Audio Library
Podcast edited by Danny Archive using Audacity.
Download Audacity here: www.audacityteam.org/
This podcast is fair use under U.S. copyright law because it is (1) transformative in nature, the audio is a journalistic commentary on popular media (2) uses no more of the original work than necessary for the podcast's purpose, the claimed duration is an edited clip for rhetoric, and (3) does not compete with the original work and could have no negative affect on its market.
DISCLAIMER: I do not own any of the materials (music/artworks). All rights belong to the original artists.
If you are the content owner and want to remove it, please contact me at [email protected]. Thank you!
~Do Us A Favor~
Hey! At the time of publishing episode eighty of The Broken Shelf, the podcast became available on TuneIn, Stitcher, Google Play, and iTunes. That said, if you downloaded the podcast via anything else other than Sound Cloud, maybe check out our Sound Cloud, give us a follow, and listen to a few more of our other tracks. Sound Cloud was there from the beginning for us and no matter what the others provide it was and is our host. Thanks!
Sound Cloud: @user-377177156
View all episodes
By The Broken Shelf
5
22 ratings
[Warning] This episode contains explicit language and explicit themes. Listener discretion is advised.
A production volume and the turning point volume. Two volumes, more hijinks. Danny talks about volume zero and why it's important for a collector to buy and why it has impact on the main story line even if it doesn't seem like it. He also goes over the artistic styles contained with in and explains why they are better or worse than Mantra's. Then he moves on to volume nine and why it may be the most important volume in the series. He talks through the volumes positives and negatives and tries to articulate why the relatively calm volume is psychologically the best of them so far.
~Follow all the Legionaries on Twitter~
Danny: twitter.com/legionsarchive
The Tsar: twitter.com/TsarAlexander6
Allen: twitter.com/blkydpease
Spangar: twitter.com/LSFspangar
~Credits~
Original Sound Cloud image taken from Yen-Press at: https://yenpress.com/9780316229159/omamori-himari-vol-9/
Original cover art for Sound Cloud owned by Milan Mantra, Yen-Press, Hope Donovan, Hachette Book Group, Fujimishobo Co. Kadokawa Shoten Publishing, and Tuttle-Mori Agency.
Original "The Broken Shelf" symbol created and published by Danny Archive.
New "The Broken Shelf" symbol created by CMart Graphics - follow IG @cmartgraphics
Music - "Outta Time"
Artist - RKVS
Provided free from YouTube Audio Library
Podcast edited by Danny Archive using Audacity.
Download Audacity here: www.audacityteam.org/
This podcast is fair use under U.S. copyright law because it is (1) transformative in nature, the audio is a journalistic commentary on popular media (2) uses no more of the original work than necessary for the podcast's purpose, the claimed duration is an edited clip for rhetoric, and (3) does not compete with the original work and could have no negative affect on its market.
DISCLAIMER: I do not own any of the materials (music/artworks). All rights belong to the original artists.
If you are the content owner and want to remove it, please contact me at [email protected]. Thank you!
~Do Us A Favor~
Hey! At the time of publishing episode eighty of The Broken Shelf, the podcast became available on TuneIn, Stitcher, Google Play, and iTunes. That said, if you downloaded the podcast via anything else other than Sound Cloud, maybe check out our Sound Cloud, give us a follow, and listen to a few more of our other tracks. Sound Cloud was there from the beginning for us and no matter what the others provide it was and is our host. Thanks!
Sound Cloud: @user-377177156