Discover why Brady Corbet’s The Brutalist, rejects the idea that protagonists must drive the action and how its unconventional approach grows out of its thematic exploration of the immigrant experience.

The Brutalist Part 2: Do You Need an Active Main Character?

Rather than looking at movies in terms of "two thumbs up" or "two thumbs down" Award Winning Screenwriter Jacob Krueger discusses what you can learn from them as a screenwriter. He looks at good movies, bad movies, movies we love, and movies we hate, exploring how they were built, and how you can apply those lessons to your own writing.  More information and full archives at WriteYourScreenplay.com
831588

TV & Film

Rather than looking at movies in terms of "two thumbs up" or "two thumbs down" Award Winning Screenwriter Jacob Krueger discusses what you can learn from them as a screenwriter. He looks at good movies, bad movies, movies we love, and movies we hate, exploring how they were built, and how you can apply those lessons to your own writing. More information and full archives at WriteYourScreenplay.com 831588

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The Brutalist Part 2: Do You Need an Active Main Character?

The Brutalist Part 2: Do You Need an Active Main Character?