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S2_E22 – The Business of Hollywood: Why You Need a Producer to Get Your Project Made
For the last few weeks, we've been discussing how Hollywood works. What are some of the things that you should know as a writer so that you don't end up getting ripped off or scammed by a so-called opportunity that some charlatan brings your way? We also started talking about option agreements and how you have to get a project to a producer, either a novel that you want adapted into a screenplay, or a screenplay that you've written. It's got to be about the story. That's what a producer is working with. This week, I want to explain the basics of what a producer does. This is to educate you. These are broad strokes, not step by step instructions. I don't claim to have all the answers. I just want to give writers more insight into the movie making process so that they're not ignorant, and so that they're less gullible or less easy to be deceived.
DOWNLOAD FULL TRANSCRIPTS FOR FREE at www.thestorytellersmission.com.
WHAT'S NEXT? Join us next Thursday, when we dive into Part 3: What does your Protagonist Need?
NEED HELP? The Storyteller’s Mission online platform is your go-to place for help with all your writing needs. Sign up for one-on-one COACHING, get a SCRIPT CRITIQUE, or register for one of our ADVANCED CLASSES ON WRITING today!
TOPIC REQUESTS? If you have a question or a specific writing related topic that you would like Zena to consider addressing in a future podcast, SEND AN EMAIL to [email protected]. We’d love to hear from you!
SPECIAL THANKS to CARLA PATULLO for the original music used in the intro and outro of this podcast. To find out more about this amazing talent, go to www.carlapatullo.com
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S2_E22 – The Business of Hollywood: Why You Need a Producer to Get Your Project Made
For the last few weeks, we've been discussing how Hollywood works. What are some of the things that you should know as a writer so that you don't end up getting ripped off or scammed by a so-called opportunity that some charlatan brings your way? We also started talking about option agreements and how you have to get a project to a producer, either a novel that you want adapted into a screenplay, or a screenplay that you've written. It's got to be about the story. That's what a producer is working with. This week, I want to explain the basics of what a producer does. This is to educate you. These are broad strokes, not step by step instructions. I don't claim to have all the answers. I just want to give writers more insight into the movie making process so that they're not ignorant, and so that they're less gullible or less easy to be deceived.
DOWNLOAD FULL TRANSCRIPTS FOR FREE at www.thestorytellersmission.com.
WHAT'S NEXT? Join us next Thursday, when we dive into Part 3: What does your Protagonist Need?
NEED HELP? The Storyteller’s Mission online platform is your go-to place for help with all your writing needs. Sign up for one-on-one COACHING, get a SCRIPT CRITIQUE, or register for one of our ADVANCED CLASSES ON WRITING today!
TOPIC REQUESTS? If you have a question or a specific writing related topic that you would like Zena to consider addressing in a future podcast, SEND AN EMAIL to [email protected]. We’d love to hear from you!
SPECIAL THANKS to CARLA PATULLO for the original music used in the intro and outro of this podcast. To find out more about this amazing talent, go to www.carlapatullo.com
Send us a text
Support the show
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