The Busy Creator Podcast, episode 26 with Still Life Photographer Christine Blackburne
Christine Blackburne is a commercial still life photographer based in New York. She works primarily in the fashion, cosmetics, and jewelry sectors, bringing her stylish use of colour and light to her images.
This conversation moves from Christine’s origins as an assistant photographer, to how she sets up her still life shoots, and a bit about working with an agent and managing workflow.
Click through to the full blog post to see a few of Christine’s images, and check out her site, christineblackburne.com, to see even more.
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Perfume bottles still life
Christine occasionally shoots things that move
Show Notes & Links
Christine’s studio is located in the South Street Seaport area of ManhattanSouthwark, LondonChristine shoots most things that don’t move like cosmetics, jewelryChristine went to Rochester Institute of Technology, spent time with objectsMost fashion photographers are extrovertedMany photographers lately have no fixed location. Rented gear, hired location.Make-up and jewelry is very reflective. Bright. Shiny. Objects.Fashion photography “is more about finding a photograph rather than creating one”Editorial is more free than commercial shootsWord of Mouth is the best way to get clientsMake-up doesn’t always cooperate, so it’s nice to have freedomChristine’s water-splash seriesDexter’s roll of knivesBill Wadman’s episode on The Busy Creator PodcastMacGuyver-ing — mad science involved in still-life work“Snot”, the rubbery glue used in commercial printing“Word-of-Mouth Nirvana” where clients call you.We can’t all be Saul Colt, previous podcast guestMerge Left, Christine’s AgentsChristine’s popsicle imagesThe Narcissism of Minor Differences“Your ability in life is like a stove with four burners: health, friends, work, family. When you turn off one, more gas will flow to the others.” Energy management vs. time management, a recurring theme on The Busy Creator PodcastSeasons, another recurring theme (as mentioned by Blake Stratton and Todd Henry)“There time to reap and a time to plant.” Prescott paraphrasing Todd Henry paraphrasing Ecclesiastes 3:2Tools
Fuji GX680, nearly extinct (available on eBay)Profoto & Broncolor lightsUnderlit soft boxAcetateKnives and Palette KnivesForcepsArmatureTechniques
Stay away from client-created sketches or sketches you are showing to the client, which can be unrealistic in terms of dimensions or scaleDo as much in-camera as humanly possibleLet your agents play “bad cop”Aim for a portfolio featuring about 20-30 final imagesBring a printed portfolio for your main work, but use your iPad for the case studies and deeper cuts“Don’t get an agent until you’re so busy you need that extra set of hands.” ← Click to tweetHabits
Calibrate your monitor bi-weeklyBe flexible (No routine! Not really.)Keep one day per week for your own personal work, or office housekeeping