I’m Sean P. Malone in Los Angeles, California and this is The Camera Report.

Our guest today is Anne Coates, a film editor with over 60 years of experience. And though her prolific career covers numerous classics such as Becket, Murder on the Orient Express, The Elephant Man, What About Bob?, In the Line of Fire, Out of Sight, and Erin Brockovich, she is kind enough today to reminisce about her groundbreaking work on one of the greatest films of all time, Lawrence of Arabia. In our interview with Anne, she shares how she first became interested in filmmaking, how she got the job editing David Lean's masterpiece, and other insightful stories from the nearly two year process of making Lawrence.

This month's guest on The Camera Report hardly needs an introduction. If you know contemporary cinema, you know Roger Deakins' beautiful and award-winning work — From the comical and sleek art deco glean of the 'The Hudsucker Proxy', to the suspicious dutch angles of 'Doubt', to the stormy Texas skies and campfire light of 'True Grit', Roger's art behind the camera is among the finest of our day. His frequent collaborations with today's top directors amount to the type of visual excellence only a great cinematographer can provide.

On the very first "BSC Edition" of The Camera Report, he speaks to us about his work on the latest James Bond film, director Sam Mendes' 'Skyfall'. Roger's critically acclaimed cinematography on the film has just earned him his tenth Oscar nomination, a historical first in that category for the franchise.

Stay tuned for more "BSC Edition" episodes where members of The British Society of Cinematographers share insights about their work. Have you liked our Facebook page yet? Please, go to facebook.com/camerareport and like our page. You won't regret it.

Thanks for listening.

This month's guest on The Camera Report hardly needs an introduction. If you know contemporary cinema, you know Roger Deakins' beautiful and award-winning work — From the comical and sleek art deco glean of the 'The Hudsucker Proxy', to the suspicious dutch angles of 'Doubt', to the stormy Texas skies and campfire light of 'True Grit', Roger's art behind the camera is among the finest of our day. His frequent collaborations with today's top directors amount to the type of visual excellence only a great cinematographer can provide.

On the very first "BSC Edition" of The Camera Report, he speaks to us about his work on the latest James Bond film, director Sam Mendes' 'Skyfall'. Roger's critically acclaimed cinematography on the film has just earned him his tenth Oscar nomination, a historical first in that category for the franchise.

Stay tuned for more "BSC Edition" episodes where members of The British Society of Cinematographers share insights about their work. Have you liked our Facebook page yet? Please, go to facebook.com/camerareport and like our page. You won't regret it.

Thanks for listening.