Luna recalls a summer afternoon in 1999, when she was twelve and living on Magnolia Street in the small town of Stillwater, Oklahoma. A new girl named Alice moved into the yellow house at the end of the block. Alice drew with chalk on the sidewalk every day—elaborate pictures of a woman with no face, a tree with no leaves, a house with no doors. The drawings changed overnight, and the faceless woman began to step closer to Alice's front door each day. Luna watched from her bicycle, too scared to speak to Alice, too curious to leave. The last drawing showed the woman entering the house. Alice's family moved out the next week, and the chalk marks stayed on the sidewalk for years, never washing away.

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