In the summer of 1997, a young cartographer named Aris Markos took a seasonal job mapping the bottom of Lake Superior near Eagle Harbor. He expected rocks, wrecks, and silt. He did not expect the sonar to return a shape that moved against the current—a shape that had been waiting, patient as stone, for someone to notice. The shape had a name, and it wanted him to know it. Luna tells the story of what the lake keeps, and what it gives back when you insist on looking too long.

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