Here in Part III, Don Lusk and I wrap up the first interview and unspool a second, recorded a week later. (I did a wee bit of research after #1, and wanted to find out more about his work at Disney, in particular his animation on Fantasia) ...

Mr. Lusk was not happy with the color work on the whirling, pirouetting fish of "The Nutcracker Suite" (you can listen to what he says about it, I won't spoil it for you here, but allow me to state that Mr. Lusk wanted to "crawl under the theater seat" when he saw the finalized sequence at the premiere.)

Don also discusses his long tenure at Hanna-Barbera, from animation to direction, and what some of his favorite pieces of work are in a sixty-year career.