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"The Dragon, The Ghost, and The One Vehicle," offers a chronological re-evaluation of classical Chinese thought, arguing that Daoism, typically attributed to the "Old Master" Lao-Tzu, likely emerged afterConfucianism as a rebellious reaction against its rigid structure. The source then explores the synthesis of these indigenous Chinese philosophies with imported Indian Buddhism, highlighting how early translators used Daoist concepts to explain Buddhist ideas. The central focus is on the work of the sixth-century master Zhiyi, the founder of the Tiantai school, who created an architectural system to unify seemingly contradictory Buddhist teachings into the Ekayāna, or One Vehicle. Finally, the text proposes a speculative convergencewhere the Dao, the Buddhist Dharma, and the concept of the One Vehicle all function as "fingers pointing at the same moon," representing a shared Ultimate Reality that transcends sectarian boundaries.
By MarkWhiteLotus3
22 ratings
"The Dragon, The Ghost, and The One Vehicle," offers a chronological re-evaluation of classical Chinese thought, arguing that Daoism, typically attributed to the "Old Master" Lao-Tzu, likely emerged afterConfucianism as a rebellious reaction against its rigid structure. The source then explores the synthesis of these indigenous Chinese philosophies with imported Indian Buddhism, highlighting how early translators used Daoist concepts to explain Buddhist ideas. The central focus is on the work of the sixth-century master Zhiyi, the founder of the Tiantai school, who created an architectural system to unify seemingly contradictory Buddhist teachings into the Ekayāna, or One Vehicle. Finally, the text proposes a speculative convergencewhere the Dao, the Buddhist Dharma, and the concept of the One Vehicle all function as "fingers pointing at the same moon," representing a shared Ultimate Reality that transcends sectarian boundaries.