The Research and Academic Program at the Clark Art Institute presents In the Foreground: Object Studies:  short meditations that introduce you to a single work of art seen through the eyes of an art historian.

Samantha Page (Clark Art Institute)  explores how Hung Liu’s painting Migrant Mother (2015) reimagines Dorothea Lange’s iconic Depression-era photograph; here the materiality of paint draws attention to layers of mediation and imbues the image’s subjects with renewed agency.