Born in Germany, post World War II, as part of the generation with the ‘grace of late births’, Dagmar Richter describes the impact of that context and time on her work, identity and places she has since lived. She talks about engagement and discourse in her work as an architect and educator, as the necessary antithesis of the wall of silence she experienced when young. Her work deconstructs, exposes and reveals what is often uncomfortable, or what she calls ‘not smooth’.