For the past three weeks on Film Club, our critics A.A. Dowd and Katie Rife have embarked on a deep dive into the films of Christopher Nolan. And our final installment in the series is as twisting and complex as it gets, as we discuss the blockbuster trio of Inception (2010), Interstellar (2014), and Dunkirk (2017). Is Nolan’s reputation for making chilly films that are full of ideas, but short on emotion, justified? Have our opinions of his work changed after spending the last month seeped in his filmography? And how did he manage to put out a such an ambitious series of $100 million-plus epics, with only a few years in between?

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