This excerpt from François Jullien's The Propensity of Things explores Chinese aesthetics, particularly the concept of shi. Shi, not understood as mere mimesis, but rather as the inherent dynamism and potential within a configuration—whether in calligraphy, painting, or literature—is central. The text analyzes how shi is achieved through the interplay of contrasting elements creating tension and ultimately resulting in a powerful aesthetic effect. This contrasts sharply with Western conceptions of aesthetics focused on form and style, emphasizing instead a processual, energetic approach where the work's inherent potential is unlocked. Jullien ultimately argues that shitranscends mere representation, connecting the visible with the invisible and the tangible with the spiritual.

Please note that the podcast covers key points from the source with synthetic voices, which may have glitches. It’s a reflective, not comprehensive, interpretation.

Jullien, F. (1995). The propensity of things: toward a history of efficacy in China. Zone Books ; Distributed by MIT Press. (pp.75-89)

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