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THE FUTURE OF EVENTS – WHAT DO AUDIENCES WANT?
• “The arts and music industries are a dousing rod for the public psyche – divining where the gaps are and where the water might run” – the last two years especially has seen a cross fertilization of genres, audiences move to digital, immersive events, to events in heritage spaces, forests and online. Creatively and commercially what does this mean for promoters? • Inclusion, diversity and accessibility – reflecting the nation – getting it wrong is reported widely but how do we get it right? • Creative bravery – what does it mean to you/your artists and the audiences and why is it important? (Surpassing expectations – know what they want/giving them what they didn’t know they wanted) • Events and a changing society – what role do live events have in an ever changing technological and digital world? Are audiences expectations for music and across the arts changing?
By Event Production ShowTHE FUTURE OF EVENTS – WHAT DO AUDIENCES WANT?
• “The arts and music industries are a dousing rod for the public psyche – divining where the gaps are and where the water might run” – the last two years especially has seen a cross fertilization of genres, audiences move to digital, immersive events, to events in heritage spaces, forests and online. Creatively and commercially what does this mean for promoters? • Inclusion, diversity and accessibility – reflecting the nation – getting it wrong is reported widely but how do we get it right? • Creative bravery – what does it mean to you/your artists and the audiences and why is it important? (Surpassing expectations – know what they want/giving them what they didn’t know they wanted) • Events and a changing society – what role do live events have in an ever changing technological and digital world? Are audiences expectations for music and across the arts changing?