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In 2006, Steven Soderbergh released “The Good German,” a black-and-white film set in postwar Berlin, that was in dialog with one of the greatest films ever made: “Casablanca.” Is it an homage, a deconstruction—or something else entirely?
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By The Filmographers PodcastIn 2006, Steven Soderbergh released “The Good German,” a black-and-white film set in postwar Berlin, that was in dialog with one of the greatest films ever made: “Casablanca.” Is it an homage, a deconstruction—or something else entirely?
Social media
Website:
Patreon:
Credits