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This is the second half of the conversation I had last autumn with Polly Barton, a translator from Japanese and the author of a terrific memoir cum reflection on language and translation, Fifty Sounds. In the first part we talked about Polly’s early fascination with Japan and language, and her decision aged 21 to go to live and work on a remote Japanese island and her experience of learning the language. In this part we talk about her decision to become a translator, some of the challenges that presented, and presents, and also about her book.
Fifty Sounds has fifty chapters, each of which takes a single Japanese word as its starting point or leitmotiv. All of these words are so-called ‘mimetics’, a distinctive and richly expressive class of word in Japanese that merits its own chunky dictionary, but which in the English language we generally pay little attention to. They’re words that give colour and individuality to storytelling; the kind of words that convey the speaker’s sense of being an embodied person in the world, alert to its texture and feel. In choosing to build her book around these words, Polly seems to get to the heart of Japanese, or if that is too grand a claim, to capture the essence of what it meant to her to learn Japanese and to begin to glimpse the world through the lens of Japanese.
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'Music somehow seems to be natural, to exist as something apart – and yet it is suffused with human values, with our sense of what is good or bad, right or wrong. Music doesn't just happen, it is what we make it, and what we make of it. People think through music, decide who they are through it,' says Nicholas Cook, my guest in this episode. His quest in his recent new edition of his highly influential Very Short Introduction to Music (Oxford, 2021) is to explore those human values. In this podcast he talks about how the world of music and our relationship has changed since the first edition appeared in 1998, in an era before smartphones and streaming...
Nicholas Cook was until his retirement in 2017 the 1684 Professor of Music at the University of Cambridge.
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