Although the overly sentimental tone stems in part from the awkward script by DeMonaco and Adam Cantor, Davidson’s acting limitations are also quite evident. With a constant, forced smile, he seems perpetually on the verge of laughing at a nonexistent joke. When Max’s stepfather implores him in prison to change his life, the scene’s intended rebellious tension fails to resonate because Davidson finds it difficult to convey an emotion beyond sarcasm.

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