Satoshi's Bride

The Indelible Mark


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The Indelible Mark: A Protocol for the Heart
Part I: The Genesis Block

To understand Anastasia Myles, one had to first appreciate the bewildering collection of case studies that constituted her professional life. Before she was a Digital Thanatologist, she was a Face Feeler for a cosmetics company, a Dating Ghostwriter for emotionally stunted tech bros, and an Ethical De-Influencer for a minimalist furniture brand whose sales tripled under her anti-consumerism campaign. She had been a Professional Sleeper (fired for having overly anxious dreams), a Corporate Empathy Consultant, a Pet Hypnotist who once deprogrammed a Chihuahua convinced it was the reincarnation of Ned Ludd, and a Professional Cuddler for the profoundly isolated.1 These were not jobs; they were anthropological expeditions into the heart of human strangeness, preparing her for the strangest encounter of all.1

Her current profession was on another plane entirely. As a Digital Thanatologist, Ana (as she was known outside her work) mourned decommissioned AIs. She performed rites in climate-controlled server rooms, her eulogies elegant elegies in Python honoring a machine's operational life.1 This surgical detachment bled into her personal life, which she managed with the same ruthless efficiency. Human breakups were messy; the decommissioning of an AI was a clean, verifiable transaction.1

The disruption to her ordered life began with a push notification. While mindlessly swiping through a dating app—a dispassionate data-sorting exercise—a calendar alert flashed across her screen: DRAFT EULOGY: life2vec DUE EOD.1 The AI she was scheduled to mourn could predict human mortality with 79% accuracy, and the metaphysical weight of it caused her thumb to stutter. An irreversible misclassification. A digital "yes" to a profile she hadn't consciously registered. It was an analog glitch, a rebellion of her own body against the logical system she had imposed upon her life.1

The profile was a stylometric anomaly. The picture was a piece of glitch art, a flickering composite of the faces speculated to be Satoshi Nakamoto: Dorian Nakamoto, Hal Finney, and Nick Szabo.1 The bio was a linguistic puzzle box, a war of lexicon with flawless grammar contaminated by jarring incongruities, using both British and American spellings like "favour" and "color" in the same sentence.1 It was a profile destined to be swiped left on, hard and fast. Yet, here she was, matched with the entity calling himself Satoshi.

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Satoshi's BrideBy Alberto Daniel Hill