Cate Hukle makes darkgaze music in Portland, OR, under the name Kallai. Last year Cate released an album called We Are Forever, inspired by the aftermath of a tumultuous election and built around a mythic framework borrowed from a novel that gave the band its name.

In our convo, we get into how that record came together and what the album’s title is actually referencing (hint: it has to do with a certain Vampire Slayer). Cate’s mixtape is broken up into three couplets of tunes, including two rare tracks harkening back to 90s Lawrence, Kansas.

More on IG:

@kallai.pdx https://www.instagram.com/kallai.pdx

Rue Defense Tape Club x GetMusic Collaboration Tape Music Submissions (NOW OPEN):

While our regular quarterly subscriber-only cassette compilation for September is almost ready to go, we’ve partnered with GetMusic to bring our subscribers a special BONUS tape. Now’s a great time to become a paid subscriber, and it’s also a great time for any artists out there to submit their own music to us via this dedicated GetMusic submissions form.

GetMusic is a music discovery and promotion service. Artists can provide Bandcamp download codes of their work for music fans to discover and add to their collections. You can find releases on there from J-Card Podcast host Alexei Shishkin and Rue Defense founder Graham W. Bell. Artists can sign up here, the first upload is free.

The J-Card is presented by Rue Defense Tape Club, a quarterly, mail-order cassette compilation and DIY audio project. Each episode is part music discovery, part oral history, part hangout show. We ask artists, musicians, filmmakers, and other music-minded folks to build us their own personal mixtape and talk about the moments and memories that inspired it.

New episodes drop here and wherever you get your podcasts. Thanks for watching, and if you liked this one, share it with a friend who also might.

Created by Alexei Shishkin

Associate Producer: Alivia Stonier

Booking: Jamie Halliday

📬 Subscribe:

Subscribe now

📲 Follow us:

IG: https://www.instagram.com/ruedefense

Bluesky: https://bsky.app/profile/tapeclub.substack.com

YouTube: https://www.youtube.com/@ruedefense

X: https://x.com/ruedefense

Bandcamp: https://ruedefense.bandcamp.com

TikTok: https://tiktok.com/@tapeclub

Linktree: https://linktr.ee/ruedefense

🤝 Support / Sponsorship: https://forms.gle/8L4o4yLvX5fQnpAXA

🎶 Submit Music: https://forms.gle/Mc7En6K8Tb2BbgxJA

📩 Contact: [email protected]

⏱️ Chapters:

00:00 - Intro to Cate Hukle

01:08 - Writing We Are Forever

05:08 - The Album’s Mythic Story

07:46 - Naming It After Buffy

10:09 - Revisiting We Are Forever

12:45 - The Remix Album Process

15:06 - Feedback Inside the Band

20:22 - The Mixtape

21:32 - “Missile Command” by Shallow

25:19 - “Red and Blue” by Free Verse

27:38 - “What a Life” by Juliana Hatfield

32:01 - “The Reason Why” by Ladytron

36:40 - “Ugly IRL” by Vyva Melinkolya

39:58 - “Evaporate” by AA Williams

45:30 - Honorable Mentions

47:09 - Game: Showdown

53:47 - Plugs & Outro

Bailey Blake is the founder and editor of Uptight Magazine, a digital music publication that reads like something out of a 90s newsstand. It features real profile writing, original photography, and a DIY ethos throughout.

In this episode, we get into how Uptight came together, Bailey’s profile-writing process, and the highs and lows of running the whole operation. We also go through a mixtape that’s basically a memory map and features the song that literally gave her magazine its name.

More on IG:

@bailey.blake._ https://www.instagram.com/bailey.blake._

@uptightmagazine https://www.instagram.com/uptightmagazine

The J-Card is presented by Rue Defense Tape Club, a quarterly, mail-order cassette compilation and DIY audio project. Each episode is part music discovery, part oral history, part hangout show. We ask artists, musicians, filmmakers, and other music-minded folks to build us their own personal mixtape and talk about the moments and memories that inspired it.

New episodes drop here and wherever you get your podcasts. Thanks for watching, and if you liked this one, share it with a friend who also might.

Created by Alexei Shishkin

Associate Producer: Alivia Stonier

Booking: Jamie Halliday

📬 Subscribe:

Subscribe now

📲 Follow us: IG: https://www.instagram.com/ruedefense TikTok: https://tiktok.com/@tapeclub Bluesky: https://bsky.app/profile/tapeclub.substack.com X: https://x.com/ruedefense

🤝 Support / Sponsorship: https://forms.gle/8L4o4yLvX5fQnpAXA

🎶 Submit Music: https://forms.gle/Mc7En6K8Tb2BbgxJA

📩 Contact: [email protected]

⏱️ Chapters:

00:00 - Intro to Bailey Blake

01:08 - First Music Memories

06:08 - Theater Background

08:20 - Starting Uptight Magazine

12:54 - Print vs Digital Plans

14:32 - The Laundry Day Interview

18:39 - Getting Into Journalism

19:19 - Liam Kazar Cover Story

22:06 - In-Person vs Zoom

25:26 - Photography & Portraits

28:25 - Best & Worst Parts

33:00 - The Mixtape

33:54 - “Karma Chameleon” by Culture Club

36:47 - “My Old School” by Steely Dan

39:40 - “Slide Away” by Oasis

44:46 - “Jesse” by Geese

56:33 - “You Get What You Give” by New Radicals

1:01:11 - “Uptight” by Nitefire

1:07:19 - Honorable Mentions

1:09:51 - Game: Call and Response

1:15:44 - Plugs & Outro

Arthur Alligood makes music as phoneswithchords, and his sixth full-length, High Up on the Wheel Well, is out now. This one’s a concept record built from childhood memories, which is a big concept to tackle, but we get into how that process actually worked. We also talked about how his mixer/mastering partner Nick Weber pushed him to slow down and take the longest he’s ever taken on a record.

Arthur also talks candidly about learning production entirely on his own, how there are no right answers in art, and why a small handful of people who’ve bought everything he’s made means more to him than streaming numbers ever could.

His mixtape features friend of the show Josaleigh Pollett, as well as a heap of other talented artists, and then we play a fun round of Play, Pause, Stop!

More on IG:

@phoneswithchords https://www.instagram.com/phoneswithchords

The J-Card is presented by Rue Defense Tape Club, a quarterly, mail-order cassette compilation and DIY audio project. Each episode is part music discovery, part oral history, part hangout show. We ask artists, musicians, filmmakers, and other music-minded folks to build us their own personal mixtape and talk about the moments and memories that inspired it.

New episodes drop here and wherever you get your podcasts. Thanks for watching, and if you liked this one, share it with a friend who also might.

Created by Alexei Shishkin

Associate Producer: Alivia Stonier

Booking: Jamie Halliday

📬 Subscribe:

Subscribe now

📲 Follow us: IG: https://www.instagram.com/ruedefense TikTok: https://tiktok.com/@tapeclub Bluesky: https://bsky.app/profile/tapeclub.substack.com X: https://x.com/ruedefense

🤝 Support / Sponsorship: https://forms.gle/8L4o4yLvX5fQnpAXA

🎶 Submit Music: https://forms.gle/Mc7En6K8Tb2BbgxJA

📩 Contact: [email protected]

⏱️ Chapters:

0:00 - Intro to Arthur Alligood

0:54 - The New Album

2:13 - Meet Nick Weber

3:48 - Finding a Routine

7:46 - Life Near Nashville

9:02 - Production Lessons

11:49 - First Songs & Guitar

16:38 - Release Plans

18:23 - Passion Over Fame

19:25 - The Mixtape

20:14 - “Snapping Turtle” by S.G. Goodman

23:04 - “Losing My Religion” by R. E. M.

26:05 - “Like A River” by Josaleigh Pollett

28:33 - “goal of the century” by Gang of Youths

32:05 - “Peace Piece” by Bill Evans

37:00 - “Blindsided” by Hovvdy

40:45 - Honorable Mentions

42:10 - Game: Play, Pause, Stop

47:52 - Plugs & Outro

Rose Lewis’s multiple disciplines (visual art, music, radio, DJing, zine publishing, and more) are all tentacles of the same punk-infused, DIY jellyfish. In this episode we get into her band Love In Hell, her mostly-undocumented hardcore side project Pumping Iron, her print zine Scorpio Mind, and the DIY logistics of booking benefit shows in Portland.

We also go through her mixtape, which is built with demos, rarities, and alternate versions in mind, before we close out with One For The Road. Enjoy!

More on IG:

@_love_in_hell_band_ https://www.instagram.com/_love_in_hell_band_

The J-Card is presented by Rue Defense Tape Club, a quarterly, mail-order cassette compilation and DIY audio project. Each episode is part music discovery, part oral history, part hangout show. We ask artists, musicians, filmmakers, and other music-minded folks to build us their own personal mixtape and talk about the moments and memories that inspired it.

New episodes drop here and wherever you get your podcasts. Thanks for watching, and if you liked this one, share it with a friend who also might.

Created by Alexei Shishkin

Associate Producer: Alivia Stonier

Booking: Jamie Halliday

📬 Subscribe:

Subscribe now

📲 Follow us: IG: https://www.instagram.com/ruedefense TikTok: https://tiktok.com/@tapeclub Bluesky: https://bsky.app/profile/tapeclub.substack.com X: https://x.com/ruedefense

🤝 Support / Sponsorship: https://forms.gle/8L4o4yLvX5fQnpAXA

🎶 Submit Music: https://forms.gle/Mc7En6K8Tb2BbgxJA

📩 Contact: [email protected]

⏱️ Chapters:

00:00 - Intro to Rose Lewis

01:14 - Wearing Many Hats

03:01 - Forming Love in Hell

06:14 - Life on Tour

08:47 - Animating The Empress

11:32 - The Band Pumping Iron

13:50 - Booking Benefit Shows

16:35 - School of Each Other

19:18 - Scorpio Mind Zine

24:01 - The Mixtape

25:19 - “Frightened Eyes (demo)” by Kate Bush

27:18 - “O Am Gariad (live on Bandit)” by Cate Le Bon

31:10 - “Broken Wire Telephone” by The Rats

36:11 - “Sail and Rail” by Sissy

39:46 - “Ooh Baby Ooh” by The Clash

42:59 - “Banshee Lobotomy” by The Reprobatz

49:34 - Game: One for the Road

54:59 - Plugs & Outro

Dylan Gamez has been recording as bedbug for a decade, and this conversation catches him at a pivot point. Part of that pivot is his new, more collaborative project, sit stay, which gave him a break from being “bedbug” for a while. Another part of the pivot is a conscious choice to start moving away from the cassette sound that’s defined past records. Those types of changes are only natural after ten years working on a project.

In our convo, we get into what ten years of releasing music does to your relationship with your own catalog, what Dylan thinks of the future lo-fi and bedroom pop, and how he defines success in music. There’s also a great tangent on his album art process (which combines film photos and MS Paint), a very honest breakdown of why he doesn’t love playing live, and of course, an amazing mixtape. Enjoy!

More on IG:

@bedbugofficial https://www.instagram.com/bedbugofficial

The J-Card is presented by Rue Defense Tape Club, a quarterly, mail-order cassette compilation and DIY audio project. Each episode is part music discovery, part oral history, part hangout show. We ask artists, musicians, filmmakers, and other music-minded folks to build us their own personal mixtape and talk about the moments and memories that inspired it.

New episodes drop here and wherever you get your podcasts. Thanks for watching, and if you liked this one, share it with a friend who also might.

Created by Alexei Shishkin

Associate Producer: Alivia Stonier

Booking: Jamie Halliday

📬 Subscribe:

Subscribe now

📲 Follow us: IG: https://www.instagram.com/ruedefense TikTok: https://tiktok.com/@tapeclub Bluesky: https://bsky.app/profile/tapeclub.substack.com X: https://x.com/ruedefense

🤝 Support / Sponsorship: https://forms.gle/8L4o4yLvX5fQnpAXA

🎶 Submit Music: https://forms.gle/Mc7En6K8Tb2BbgxJA

📩 Contact: [email protected]

⏱️ Chapters:

00:00 - Intro to Dylan Gamez

01:18 - sit stay’s Origins

03:02 - The Collaboration Process

05:08 - Studio vs. Tape Recording

06:32 - A Decade of bedbug

09:02 - Comparing New & Old Work

12:09 - Time & Creative Practice

14:43 - Is Lo-Fi Music Dead?

20:06 - Defining Success

23:40 - The Album Art Process

25:56 - The Mixtape

26:14 - “October 2013” by ghost orchard

30:20 - “Fooled” by Fat, Evil Children

36:02 - “Dom” by Sioux Falls

42:05 - “White Corolla” by Casiotone For The Painfully Alone

46:32 - “In Candlelight” by The Fruit Trees

49:47 - “Broke” by Modest Mouse

56:45 - Game: One’s Gotta Go

1:06:47 - Plugs & Outro

(leave) nelson b joins The J-Card Podcast to talk sampling ethics, Lonely Ghost Records, and a mixtape full of deep cuts.

Nelson has been part of the Lonely Ghost Records family almost since the label started, first as a solo artist, then through his ongoing collaboration with Superdestroyer (Nelson Comes to Visit, Negative Thoughts About Myself and People I Love Dearly). In this episode we get into his time in the military, why he refuses to sample anyone who doesn’t own their own masters, his first ever experience with sampling, and much more!

More on IG:

@leave_nelson_b https://www.instagram.com/leave_nelson_b/

The J-Card is presented by Rue Defense Tape Club, a quarterly, mail-order cassette compilation and DIY audio project. Each episode is part music discovery, part oral history, part hangout show. We ask artists, musicians, filmmakers, and other music-minded folks to build us their own personal mixtape and talk about the moments and memories that inspired it.

New episodes drop here and wherever you get your podcasts. Thanks for watching, and if you liked this one, share it with a friend who also might.

Created by Alexei Shishkin

Associate Producer: Alivia Stonier

Booking: Jamie Halliday

📬 Subscribe:

Subscribe now

📲 Follow us: IG: https://www.instagram.com/ruedefense TikTok: https://tiktok.com/@tapeclub Bluesky: https://bsky.app/profile/tapeclub.substack.com X: https://x.com/ruedefense

🤝 Support / Sponsorship: https://forms.gle/8L4o4yLvX5fQnpAXA

🎶 Submit Music: https://forms.gle/Mc7En6K8Tb2BbgxJA

📩 Contact: [email protected]

⏱️ Chapters:

00:00 - Intro to Nelson

00:58 - Lonely Ghost Records

03:39 - Military Service & Music

05:17 - Superdestroyer Collab

06:19 - Fauxchella & Music Biz

12:14 - Solo vs. Collab Process

15:43 - Sampling Technique

17:56 - First Samples He Flipped

21:13 - Learning FL Studio

25:21 - Building a Sound Bank

28:58 - The Mixtape

30:44 - “Christobel” by Joan As Police Woman

34:24 - “Empire” by August Rosenbaum ft Kool Keith

39:57 - “Peter Pan” by Brainstory

44:47 - “Empty Bottles of Water” by People Under The Stairs

50:15 - “Shower Song” by Big Nick

53:27 - “I Can’t Help It” by The Roots

1:04:11 - Game: Firsts & Lasts

1:14:40 - Plugs & Outro

It’s the Season 4 Finale, featuring the one and only KaterFM! Kater is a Twitch streamer, playlist obsessive, and self-described “washed radio DJ” who accidentally built a music community by mishearing a Joyce Manor lyric.

In our convo, Kater walked me through how she went from her college radio station to building a thriving, interactive music community across Twitch and IG. We talk about how Twitch is actually a pretty great platform for music discovery, what the transition to livestreaming is like, and what goes into running a channel.

And then of course, we have a mixtape full of certified bangers, and a CHICAGO DRAFT to close out the season!

More on IG:

@katerfm_ https://www.instagram.com/katerfm_

The J-Card is presented by Rue Defense Tape Club, a quarterly, mail-order cassette compilation and DIY audio project. Each episode is part music discovery, part oral history, part hangout show. We ask artists, musicians, filmmakers, and other music-minded folks to build us their own personal mixtape and talk about the moments and memories that inspired it.

New episodes drop here and wherever you get your podcasts. Thanks for watching, and if you liked this one, share it with a friend who also might.

Created by Alexei Shishkin

Associate Producer: Alivia Stonier

Booking: Jamie Halliday

📬 Subscribe:

Subscribe now

📲 Follow us: IG: https://www.instagram.com/ruedefense TikTok: https://tiktok.com/@tapeclub Bluesky: https://bsky.app/profile/tapeclub.substack.com X: https://x.com/ruedefense

🤝 Support / Sponsorship: https://forms.gle/8L4o4yLvX5fQnpAXA

🎶 Submit Music: https://forms.gle/Mc7En6K8Tb2BbgxJA

📩 Contact: [email protected]

⏱️ Chapters:

00:00 - Intro to Kater

01:20 - Background in Music

02:43 - College Radio Days

06:35 - How Twitch Music Works

09:59 - Growing the Channel

14:34 - Lessons from Streaming

20:26 - Finding New Music

23:09 - Playlist Names & Tony Hawk

27:01 - The Mixtape

28:38 - “I Don’t Think It’s the Right Time for Emojis” by Hot Mulligan

32:07 - “Reservoir” by PUP

35:32 - “Moab” by Tiberius

38:45 - “Jaw Song” by Cigarettes @ Sunset

42:01 - “There Will Be Time” by Mumford & Sons (feat. Baaba Maal)

46:01 - “Forgiveness” by Paramore

49:40 - Honorable Mentions

51:58 - Game: Chicago Draft

1:00:07 - Plugs & Outro

At its core, Josaleigh Pollett’s upcoming album If I Let It Quiet is all about distance.

A process that largely revolved around immediacy and spending hours together ruminating over tunes was flipped on its head when Josaleigh’s producer, co-writer, and best friend Jordan Watko moved to Japan. They had to figure out what their creative partnership looked like with 8,000 miles and 14 time zones between them. The answer became a whole album, vast but intimate, built inside a DIY PVC-and-moving-blanket vocal booth, across late-night Ableton sessions, with Paul Simon on repeat at 2am.

In our convo, Joseleigh and I went deep on the making of If I Let It Quiet (out July 24th on Audio Antihero), the thriving Salt Lake City DIY scene, the tangled feelings around social media and self-promotion as an indie artist, and Josaleigh’s mixtape — songs by Sparklehorse, Laura Stevenson, Flock of Dimes, Half Waif, and Paul Simon that shaped the record. Enjoy!

More on IG:

@brosaleigh https://www.instagram.com/brosaleigh

The J-Card is presented by Rue Defense Tape Club, a quarterly, mail-order cassette compilation and DIY audio project. Each episode is part music discovery, part oral history, part hangout show. We ask artists, musicians, filmmakers, and other music-minded folks to build us their own personal mixtape and talk about the moments and memories that inspired it.

New episodes drop here and wherever you get your podcasts. Thanks for watching, and if you liked this one, share it with a friend who also might.

Created by Alexei Shishkin

Associate Producer: Alivia Stonier

Booking: Jamie Halliday

📬 Subscribe:

Subscribe now

📲 Follow us: IG: https://www.instagram.com/ruedefense TikTok: https://tiktok.com/@tapeclub Bluesky: https://bsky.app/profile/tapeclub.substack.com X: https://x.com/ruedefense

🤝 Support / Sponsorship: https://forms.gle/8L4o4yLvX5fQnpAXA

🎶 Submit Music: https://forms.gle/Mc7En6K8Tb2BbgxJA

📩 Contact: [email protected]

⏱️ Chapters:

00:00 - Intro to Josaleigh Pollett

00:55 - If I Let It Quiet

06:42 - Making Music at a Distance

12:55 - Bringing in Andrew Goldring

19:00 - The Salt Lake City Scene

28:27 - Social Media & The Witness

32:57 - The Blade Runner Question

35:35 - The Mixtape

36:24 - “Piano Fire” by Sparklehorse

40:05 - “Lay Back Arms Out” by Laura Stevenson

43:14 - “Pure Love” by Flock of Dimes

47:36 - “Warm Dark” by lollzing

52:01 - “Figurine” by Half Waif

54:28 - “Peace Like a River” by Paul Simon

1:00:48 - Honorable Mentions

1:02:31 - Game: Play, Pause, Stop

1:10:00 - Plugs & Outro

Darren Hayman has been making music since the early ‘90s, first as the frontman of Hefner, then through a sprawling catalog of projects including The French, New Starts, Hayman Watkins Trout and Lee, and Darren Hayman and The Long Parliament. In our conversation we covered his traversal through all those bands, and much more, including seeing Elliott Smith before he was the Elliott Smith.

Darren’s mixtape has a specific theme: six of his songs that were either missing, mislabeled, or completely invisible online… recovered and restored by the very same person who booked this episode! Each one has a story, and Darren tells all of them.

More on IG:

@darren.hayman https://www.instagram.com/darren.hayman

The J-Card is presented by Rue Defense Tape Club, a quarterly, mail-order cassette compilation and DIY audio project. Each episode is part music discovery, part oral history, part hangout show. We ask artists, musicians, filmmakers, and other music-minded folks to build us their own personal mixtape and talk about the moments and memories that inspired it.

New episodes drop here and wherever you get your podcasts. Thanks for watching, and if you liked this one, share it with a friend who also might.

Created by Alexei Shishkin

Associate Producer: Alivia Stonier

Booking: Jamie Halliday

📬 Subscribe:

Subscribe now

📲 Follow us: IG: https://www.instagram.com/ruedefense TikTok: https://tiktok.com/@tapeclub Bluesky: https://bsky.app/profile/tapeclub.substack.com X: https://x.com/ruedefense

🤝 Support / Sponsorship: https://forms.gle/8L4o4yLvX5fQnpAXA

🎶 Submit Music: https://forms.gle/Mc7En6K8Tb2BbgxJA

📩 Contact: [email protected]

⏱️ Chapters:

00:00 - Intro to Darren Hayman

01:39 - Sleep & Creativity

03:52 - The Origins of Hefner

09:14 - Lo-Fi Across the Ocean

12:17 - Sarah Records & UK Indie

13:07 - Portland & New Bad Things

14:50 - An Elliott Smith Sighting

18:13 - Music Industry Changes

24:18 - Advice for Young Artists

27:39 - The Mixtape

28:51 - “Pull Yourself Together (Didgeridoo Version)” by Hefner

31:48 - “Punk Rock Is Going to Die” by The French

37:53 - “Since She Started to Ride” by Hayman Watkins Trout and Lee

43:43 - “Little Squirrel, Little Arrow” by Darren Hayman

49:02 - “We Are Not Evil” by Darren Hayman and The Long Parliament

53:39 - “Elizabeth the First” by Darren Hayman and The Long Parliament

56:54 - Honorable Mentions

1:01:12 - Game: First and Last

1:06:21 - Plugs & Outro

Rob Feulner is the Marketing Coordinator at Duplication.com, the cassette and CD duplication company that’s been a cornerstone of underground music culture since 1989. In this conversation, Rob takes us inside the world of cassette duplication, from the massive tape-loading machines, to the team of artists and technicians who keep the operation running.

We talk about the Montreal underground scene that shaped his taste, how vaporwave couldn’t have happened without the cassette renaissance, and what it’s like to spend your workdays pulling random tapes out of a box and listening to them cold. Dream job, am I right?

More on IG:

@duplication.ca https://www.instagram.com/duplication.ca

@bleunuitvideo https://www.instagram.com/bleunuitvideo

The J-Card is presented by Rue Defense Tape Club, a quarterly, mail-order cassette compilation and DIY audio project. Each episode is part music discovery, part oral history, part hangout show. We ask artists, musicians, filmmakers, and other music-minded folks to build us their own personal mixtape and talk about the moments and memories that inspired it.

New episodes drop here and wherever you get your podcasts. Thanks for watching, and if you liked this one, share it with a friend who also might.

Created by Alexei Shishkin

Associate Producer: Alivia Stonier

Booking: Jamie Halliday

📬 Subscribe:

Subscribe now

📲 Follow us: IG: https://www.instagram.com/ruedefense TikTok: https://tiktok.com/@tapeclub Bluesky: https://bsky.app/profile/tapeclub.substack.com X: https://x.com/ruedefense

🤝 Support / Sponsorship: https://forms.gle/8L4o4yLvX5fQnpAXA

🎶 Submit Music: https://forms.gle/Mc7En6K8Tb2BbgxJA

📩 Contact: [email protected]

⏱️ Chapters:

00:00 - Intro to Rob Feulner

01:06 - How Rob Got the Job

03:46 - Montreal Cassette Scene

07:59 - The Production Ecosystem

12:15 - Life of a Cassette

18:40 - The Duplication Team

22:12 - Rob’s Art Practice

24:17 - Notable Projects

28:54 - The Mixtape

29:28 - “Side A” by Dead Bush

34:34 - “Death Row” by Lil Noid

37:20 - “ΛVΘN™ NiteMare Liquid Mascara (feat. 회사AUTO)” by Nmesh

43:01 - “Lamentation Fragrant Repel” by New Mexican Stargazers

46:31 - “Outside” by The Dead C

50:25 - “Through the Bindbole Wood” by Hole Dweller

52:47 - Honorable Mentions

54:35 - Game: Call and Response

1:00:27 - Plugs & Outro